Rudêncio Morais: Suturas do Amor and the Beautiful, Persistent Threads of Pessoa, by Susan Smith Nash

Book Reviews Susan Smith Nash On the cover of his latest book of prose poems, Suturas do Amor (Editorial Autor, 2019), Mozambican author Rudêncio Morais announces that he is a poeta falso or “false poet.” In doing so, he alludes to the Portuguese poet/philosopher Fernando Pessoa and indicates that the work is a play of multiple masks, layers of play and dissembling, all constructed with a language that the poetics itself puts in doubt. Pessoa built his work on the literary concept of the heteronym, an imaginary character created by a writer in order to write in different styles. It is both a literary device and a philosophical point of departure, as it problematizes the concept of author/identity and subverts the supposed intentionality of the meaning-making process. In the introduction, a stanza of Fernando Pessoa’s powerful and influential poem “Autopsychography” appears: The poet feigns; He feigns so completely That the pain he feigns Is the pain he really feels In this stanza, Pessoa captures the essence of what it means to assume a persona or a complete identity in order to enter into a transcendental state of profound unity in order to produce art. The immersion into an identity is done in order to create an artifice that both stands on its own and is the mechanism for creating more art. The “heteronym” or “false poet” allows one to transform words so that they can represent more states of being and can capture moments... Continue reading at 'World Literature Today'

[ World Literature Today | 2020-02-03 22:12:30 UTC ]

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