Roberto Bolaño’s Tantrums, by Ilan Stavans

Essay “Literature was a vast minefield occupied by enemies,” Roberto Bolaño, who enjoyed accruing enemies in the pantheon of Latin American letters, writes in the short story “Meeting with Enrique Lihn” (New Yorker, December 22, 2008): except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment—nothing escapes them and they forgive nothing. Aptitude for discipline and punishment Bolaño himself had aplenty, too. And in spite of his precarious health, he had stamina. At a young age, he had made up his mind he would die. Who cared if he annoyed others? His mission, as is clear from The Savage Detectives (1998), was to upend that tradition, to take it by the neck and expose its platitudes. What is the use of sacred cows if not to be desecrated? Indeed, every tradition needs an enfant terrible, maybe more than one. When was the last time a rabble-rouser came along in Latin American literature? As Bolaño put it in... Continue reading at 'World Literature Today'

[ World Literature Today | 2022-02-28 21:05:10 UTC ]

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