The robust children’s market in 2014 has been the main theme of The Bookseller’s Review of the Year features, and it is driven home in our look at last year’s bestselling authors. The top 50 writers are once again eclipsed by the shadow of the Gruffalo, with the mighty Julia Donaldson taking Britain’s bestselling author crown for the second consecutive year. Continue reading at 'The Bookseller'
[ The Bookseller | 2015-01-27 00:00:00 UTC ]
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The children’s book has influence out of proportion with its 24 pages and its cardboard cover devoid of medallions. Continue reading at The Washington Post
[ The Washington Post | 2021-01-27 13:00:00 UTC ]
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To celebrate the Book Review’s 125th anniversary, we’re dipping into the archives to revisit our most thrilling, memorable and thought-provoking coverage. Continue reading at The New York Times
[ The New York Times | 2021-01-25 16:00:20 UTC ]
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Based on Joanna Rakoff's memoir of working for JD Salinger's agent, the film lacks some of the wit but none of the heart of Joanna's story. Continue reading at The Conversation
[ The Conversation | 2021-01-13 01:19:06 UTC ]
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Marcelo Hernandez Castillo, author of 'Children of the Land,' and Karla Cornejo Villavicencio, author of 'The Undocumented Americans,' share their stories with the L.A, Times Book Club on Dec. 15. Continue reading at Los Angeles Times
[ Los Angeles Times | 2020-12-08 20:25:34 UTC ]
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Instead of celebrating myself, I’m going to celebrate the books by black authors that came before meI have a funny thing about winning. I find it overwhelming. I don’t know how to cope or act when things are meant to be “good”. What do I do? Should I be happy? What is that? How many ways can I... Continue reading at The Guardian
[ The Guardian | 2020-07-02 07:00:46 UTC ]
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If you thought the Choose Your Own Adventure books were magical, one Sri Lankan children’s book author might be up your alley. Sybil Wettasinghe, the 90-year-old author of The Umbrella Thief, a classic children’s book in Sri Lanka, set a new Guinness World Record yesterday with the publication... Continue reading at Literrary Hub
[ Literrary Hub | 2020-03-06 19:45:46 UTC ]
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With print books selling 191.6 million units for £1.66bn, 2019 became the print market’s fifth consecutive year of growth and its best since 2010 in value terms, according to Nielsen BookScan’s Total Consumer Market. Continue reading at The Bookseller
[ The Bookseller | 2020-01-02 20:35:48 UTC ]
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Congratulations to Beth O'Leary! Her debut novel The Flatshare was recently announced as 2019 Fiction Book of the Year by the British retailer WHSmith—an honor previously bestowed on books such as Eleanor Oliphant is Completely Fine by Gail Honeyman and The Girl on the Train by Paula... Continue reading at Writer's Digest
[ Writer's Digest | 2019-11-19 11:00:22 UTC ]
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NEW YORK—Magazine and digital media professionals from all over the country gathered Wednesday evening to celebrate honorees for excellence in editorial and design. B2B, consumer and regional brands competed for Folio:’s 2019 Eddie and Ozzie Awards, the largest and most comprehensive such... Continue reading at Folio Magazine
[ Folio Magazine | 2019-11-01 14:44:10 UTC ]
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Stella Count researchers say gender parity reached by most publicationsResearchers have praised most Australian publications for reaching gender parity in their book review sections last year.Of published book reviews in Australia in 2018 49% were for books written by women, according to... Continue reading at The Guardian
[ The Guardian | 2019-09-18 18:00:08 UTC ]
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This year's BookCon literary fan fest drew mixed reviews from attendees, some of whom felt that publishers focused more on merchandising rather than on providing booklovers with an experience or giving them free swag. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-06-03 04:00:00 UTC ]
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Scholastic has acquired Can You See Me? by 11-year-old Libby Scott and Rebecca Westcott, a novel inspired by Libby’s own experience with autism. Continue reading at The Bookseller
[ The Bookseller | 2019-03-01 00:00:00 UTC ]
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Waterstones has named The House Between Tides by Sarah Maine as its Scottish Book of the Year. Continue reading at The Bookseller
[ The Bookseller | 2018-12-06 00:00:00 UTC ]
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Jeff Kinney’s 13th Wimpy Kid title The Meltdown (Puffin) has nipped into the UK Official Top 50 number one spot, selling 57,790 copies to claim the author’s first overall number one since November 2015. Continue reading at The Bookseller
[ The Bookseller | 2018-11-07 00:00:00 UTC ]
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After Harvard Business Review kicked off 2017 by reducing its print frequency to bimonthly—eliminating 40 percent of the issues offered in a $99 annual subscription—it was a combination of smart positioning, creative new digital benefits, and a heavier investment in the six print issues that... Continue reading at Folio Magazine
[ Folio Magazine | 2018-10-18 00:00:00 UTC ]
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British novelist who recently published latest book Transcription says she tries not to read bad reviewsThe literary world is packed with novelists reviewing the books of their colleagues but it is not something Kate Atkinson would do, calling it a “callous art”. Related: Drawn from life: why... Continue reading at The Guardian
[ The Guardian | 2018-10-07 00:00:00 UTC ]
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Thomas Harris, author of The Silence of the Lambs and Hannibal, is returning after more than a decade with a new novel, to be published by Cornerstone imprint William Heinemann next year. Continue reading at The Bookseller
[ The Bookseller | 2018-10-04 00:00:00 UTC ]
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As the Fourth of July arrives each year, it brings with it many traditions—cheap beer, grilled hot dogs, and quasi-illegal fireworks, to name a few—but it also provides an opportunity at the year's half-way point to reflect on just what's gone on over the last six months. And there is perhaps no... Continue reading at Folio Magazine
[ Folio Magazine | 2018-07-03 00:00:00 UTC ]
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Almost half the shortlisted authors for the Welsh Book of the Year awards have sold fewer than 100 copies. Continue reading at BBC News
[ BBC News | 2018-06-27 00:00:00 UTC ]
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The oral tradition has been a part of the human condition for as long as we have been communicating. If you lost your audience after the first hour of “The Epic of Gilgamesh,” you could forget about a return engagement. Authors now sit in comfy studios and need not memorize their stories. But can... Continue reading at Los Angeles Times
[ Los Angeles Times | 2018-06-07 00:00:00 UTC ]
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