Pointing out racism in books is not an ‘attack’ – it’s a call for industry reform | Monisha Rajesh

I was called aggressive for criticising passages in Kate Clanchy’s memoir. But the real problem lies deep in the overwhelmingly white world of publishingIt started with a tweet. Kate Clanchy, author of Some Kids I Taught and What They Taught Me posted on her Twitter account that a reviewer on Goodreads had “made up a racist quote and said it was in my book”. She urged her almost 40,000 followers to flag the review that claimed she had bigoted views on race, class and body image, and had used terms such as “chocolate-coloured skin” and “Jewish noses”. Prominent authors and columnists swooped in to offer support, decrying how Clanchy could possibly be subjected to such inhumane treatment – including the current president of the Society of Authors, Philip Pullman, who declared: “But of all the people and of all the books to have had this happen … It’s hard to stay optimistic about the human race sometimes.”However, it soon emerged that those terms were, in fact, in the book. Incredulous that antisemitic and anti-Black tropes could have made it into a book published as recently as 2019, I downloaded and read it. I recoiled as a Somali boy is described as having a “narrow skull”, while one Muslim girl is “very butch-looking … with a distinct moustache”, and another “looked brilliant because she has such a strong skull shape”, which sounds more like something a eugenicist might observe than a trusted teacher. There is a troubling exchange where Clanchy is baffled by a boy who,... Continue reading at 'The Guardian'

[ The Guardian | 2021-08-13 13:51:20 UTC ]

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Edelweiss, Edelweiss? Julie Andrews Loves Reading About 18th-Century Plant Hunters

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'Crawdads,' 'Becoming' Top Amazon 2019 Lists

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Bonnier Books UK promises 10 trees for every book in 2020

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Mitch Albom Reads From His New Memoir Finding Chika

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Lit Hub Weekly: November 25 – 27, 2019

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