Parakeet Brings out the Delightfully Weird, Unexpectedly Wise Side of Marie-Helene Bertino, by Taylor Hickney

Cultural Cross Sections Taylor Hickney In this profile, one of Marie-Helene Bertino’s students at the New School provides a personal glimpse of the author, whose new novel, Parakeet, was published June 2. On the evening of the National Book Awards, Marie-Helene Bertino strolled into our workshop ready for the after party adorned in a gold, sequined ball gown and black hoodie. There was already an electric air in the program that night, because we, her students—mostly aspiring and emerging writers—were impressed to know the faculty invited or involved in what we perceived as a night for authors who’ve Made It. Her hair had been curled—it was typically pin-straight—and accented with a rose behind her ear. She laughed and blushed at the compliments and laid her small, gold watch on the table next to her notes as she does in every class she teaches. She commands the space in a room: even with five minutes left before the start, our chitchat dies down, our attention drawn to her because she gives it back to us. Even with five minutes left before the start, our chitchat dies down, our attention drawn to her because she gives it back to us. On June 2, her second novel, Parakeet, published by Farrar, Straus and Giroux, hit the shelves. In the book, a soon-to-be-wed woman known only as “the bride” is confronted by her late grandmother, who takes the form of a bird. Her grandmother tells her to seek out her estranged brother, a reclusive... Continue reading at 'World Literature Today'

[ World Literature Today | 2020-06-04 19:40:55 UTC ]

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