The UK’s literary magazine scene is crumbling due to rising print costs. But I’ll keep printing my own magazine, which gives writers of colour a voice, for as long as I canTen years ago, Jeff Sparrow, editor of Overland, which describes itself as Australia’s only radical literary magazine, wrote an article in this newspaper entitled What’s the point of literary magazines? In it, he argued that literary magazines not only promote new writers, but provide a space to publish authors who “have something to say that’s not being heard”. He also acknowledged that they cannot survive on issue sales and subscriptions alone.This is a discussion that feels more relevant now than ever in the context of the UK’s crumbling literary magazine scene. The White Review, one of the mainstays of the past decade, announced last month that it would cease publishing “for an indefinite period” as it failed to receive Arts Council England funding for three years in a row. The cultural phenomenon that was gal-dem, the magazine by women of colour, which provided a huge amount of literary coverage over the years, closed earlier this year, and the beautifully illustrated literary magazine Popshot Quarterly has announced its move to solely online editions due to “recent increases in production costs” meaning the print issues are “no longer viable”. It is, to say the least, a depressing time to be a fan of literary magazines. Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2023-10-10 10:30:07 UTC ]
For the past decade the American Booksellers Association has been warning about the need for succession plans and the graying of booksellers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2012-12-10 00:00:00 UTC ]
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After 244 years, the Encyclopaedia Britannica will cease publishing its flagship encyclopedia and concentrate on its digital offerings. Continue reading at PC World
[ PC World | 2012-03-14 00:00:00 UTC ]
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Written By: Charlotte Williams Publication Date: Wed, 19/10/2011 - 15:02 Random House is now reprinting 125,000 copies of Jonathan Cape's Booker-winning The Sense of An Ending, signing off a further 50,000 copies in addition to the initial 75,000 copy reprint. Vintage sales director Tom... Continue reading at The Bookseller
[ The Bookseller | 2011-10-19 00:00:00 UTC ]
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Despite enormous amounts of attention directed towards digital efforts in the magazine industry, many independent publishers still count print as their main business and most reliable source of revenue. As the paper market continues to fluctuate, publishers are finding new ways to keep the price... Continue reading at Folio Magazine
[ Folio Magazine | 2011-09-07 00:00:00 UTC ]
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