Literary fiction conveys the human character | Letters

Helen Cross, Andy Stelman, Mark Stewart and Richard Adams respond to a recent Guardian article by Tim LottAs someone whose tiny, grimy literary novels have attracted the interest of the film industry, the truth is the opposite of what Tim Lott (Why should we subsidise writers who’ve lost the plot?, 2 January) suggests; it’s the screenwriter who needs the literary novelist. Plot is easy to learn (and even easier to flog to impressionable students excited by the supposed glamour of the writing life), but impossible to make work on the page without an ability to master what the novel can uniquely convey: the deep mysteries of human interiority. Or, as the screenwriters say, character.Helen CrossFlamborough, East Yorkshire• Tim Lott clearly has not heard of, nor read: Adam Thorpe (Ulverton), Graham Swift (Waterland and Mothering Sunday), Sebastian Barry (A Long, Long Way and Days Without End), Colm Tóibín (Norah Webster), Kamila Shamsie (Home Fire), Salley Vickers (Miss Garnet’s Angel) and many other contemporary British and Irish authors who maintain and expand a “great tradition” of fictional output.Andy StelmanBishop’s Castle, Shropshire Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2018-01-05 00:00:00 UTC ]
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[ Publishers Weekly | 2018-10-19 00:00:00 UTC ]
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[ Publishers Weekly | 2018-10-18 00:00:00 UTC ]
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[ Publishing Perspectives | 2018-10-17 00:00:00 UTC ]
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[ The Bookseller | 2018-10-17 00:00:00 UTC ]
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[ Publishers Weekly | 2018-10-12 00:00:00 UTC ]
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[ Stuff | 2018-10-11 00:00:00 UTC ]
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[ The Bookseller | 2018-10-03 00:00:00 UTC ]
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[ Publishers Weekly | 2018-10-03 00:00:00 UTC ]
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[ Publishing Perspectives | 2018-10-02 00:00:00 UTC ]
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[ Publishers Weekly | 2018-09-28 00:00:00 UTC ]
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[ The Bookseller | 2018-09-28 00:00:00 UTC ]
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[ Slate | 2018-09-27 00:00:00 UTC ]
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[ The Bookseller | 2018-09-24 00:00:00 UTC ]
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