Language of White Bones: The Secrets of Han Kang’s Poetic Prose, by Eun-Gwi Chung

Language of White Bones: The Secrets of Han Kang’s Poetic Prose, by Eun-Gwi Chung Essay [email protected] Thu, 12/05/2024 - 15:23 Photo of Han Kang by Paik Dahuim / Courtesy of Natur & KulturLike a clutch of words strewn over white paper. Seoul, which I had last seen in summer, had frozen. Turning to look behind me, I saw the snow already sifting down to cover those just-made prints. Whitening. —Han Kang, The White Book, trans. Deborah Smith Han Kang, winner of 2024 Nobel Prize in Literature, the eighteenth woman, the third Asian, the first Korean to earn the prize: I heard the news while rushing to the funeral of my friend’s father. It was a sad, absurd, beautiful evening. In the morning, I had just finished writing a short essay about Anne Carson, a piece that would be published in the newspaper if she won the Nobel. My phone began to ring. Again and again, it rang constantly. The Swedish Academy announced that the prize was awarded for Han Kang’s “intense poetic prose that confronts historical trauma and reveals the fragility of human life” and her “unique awareness of the connections between body and soul, the living and the dead.” In such an overwhelming moment, it came as no surprise that the Nobel committee specifically recognized her poetic style as an example of experimental innovation in contemporary writing. In fact, her oeuvre does not adhere to the conventional grammar of the novel that lays out the... Continue reading at 'World Literature Today'

[ World Literature Today | 2024-12-05 21:23:24 UTC ]

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