Keeping a Critical Eye on Brazil: A Conversation with Emilio Fraia, by Anderson Tepper

Interviews Emilio Fraia’s Sevastopol, out this summer from New Directions, is the sort of book that beguiles and dazzles in equal measure. Consisting of three disparate stories—of a mountain climber attempting to scale Mt. Everest, a mysterious loner who vanishes into the Brazilian countryside, and an avant-garde production set during the Crimean War—the book is an enigma: Is it a linked collection, a “novel-in-stories,” or something else entirely? Fluidly translated by Zoë Perry, the work came together over an extended period, with sections first published in Granta’s Best Young Brazilian Novelists issue in 2012 and the New Yorker in 2019. Fraia, who lives in São Paulo, spoke over email about Sevastopol, the shadowy realms of fiction, and the “Fora Bolsonaro” movement, among other things. Anderson Tepper: Emilio, before I ask you about the book, I want to know how things are in Brazil right now and what is happening with the pandemic. Emilio Fraia: So far, some 560,000 Brazilians have died, the direct result of Bolsonaro’s criminal conduct during the pandemic. He has made countless statements against the vaccine, against wearing masks, and in favor of ineffective drug therapies. At no point during this tragedy has the president uttered a single word of true grief for victims of the virus. And as if that weren’t enough, now his government is embroiled in a bribery scandal involving the purchase of overpriced vaccines, and every... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-08-09 20:31:30 UTC ]

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