At the Guadalajara International Book Fair, Anagrama director Jorge Herralde spoke as both a champion of Latin American work and a survivor in publishing. The post Jorge Herralde of Spain’s Anagrama on Latin America and Being Adaptable appeared first on Publishing Perspectives. Continue reading at 'Publishing Perspectives'
[ Publishing Perspectives | 2018-12-11 00:00:00 UTC ]
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FX announced a series order for the new drama “Y” — a television adaptation of the graphic novel “Y: The Last Man” — at the Television Critics Assn. presentation in Pasadena on Monday. Written by Brian K. Vaughan and Pia Guerra, “Y: The Last Man” is set in a post-apocalyptic world where all men... Continue reading at Los Angeles Times
[ Los Angeles Times | 2019-02-05 00:00:00 UTC ]
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“My name doesn’t matter,” proclaims the narrator of Maurice Carlos Ruffin’s debut novel, “We Cast a Shadow.” “All you need to know is that I’m a phantom, a figment ….” The first words of Ruffin’s book seem to be a tribute to the opening of Ralph Ellison’s “Invisible Man,” which begins, “I am in... Continue reading at Los Angeles Times
[ Los Angeles Times | 2019-01-30 00:00:00 UTC ]
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The overarching topic of division in American religion and culture has spawned some of the most notable titles in the religion category for 2019. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-25 00:00:00 UTC ]
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The nonprofit organization PEN America announced the finalists for their annual literary awards on Thursday, with books by Ada Limón, Richard Powers, Tommy Orange and Ling Ma among the nominees. Powers' novel "The Overstory" and Limón's poetry collection "The Carrying" made the shortlist for the... Continue reading at Los Angeles Times
[ Los Angeles Times | 2019-01-24 00:00:00 UTC ]
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Delia Owens's 'Where the Crawdads Sing' keeps seeing dividends thanks to a bump from Reese Witherspoon, whose film adaptation of the novel was announced last month. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-23 00:00:00 UTC ]
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The children's book The Kuia and the Spider is a Kiwi classic, as cherished as The Hungry Caterpillar and Hairy Maclary, and will soon transform from the page to the stage. Continue reading at Stuff
[ Stuff | 2019-01-11 00:00:00 UTC ]
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Ladies and gentlemen, start your weeping. “The Notebook,” Nicholas Sparks’ beloved romance novel, is getting a Broadway adaptation, with music and lyrics by singer-songwriter Ingrid Michaelson. The artist announced the news while serving as a guest co-host opposite Hoda Kotb on NBC’s “Today”... Continue reading at Los Angeles Times
[ Los Angeles Times | 2019-01-03 00:00:00 UTC ]
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The Civil Society of French Language Editors (SCELF) and the Institut Français have teamed up to create a new event, 'Shoot the Book! Rendez-Vous', billed as "the first international meetings corner between publishing and audiovisual in Cannes". Continue reading at The Bookseller
[ The Bookseller | 2018-12-21 00:00:00 UTC ]
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Netflix will create an original animated series of Roald Dahl stories including Charlie and the Chocolate Factory, Matilda, The BFG and The Twits. Continue reading at The Bookseller
[ The Bookseller | 2018-11-29 00:00:00 UTC ]
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The first episode of the My Brilliant Friend TV adaptation will broadcast in the UK on Sky Atlantic on 19th November. Continue reading at The Bookseller
[ The Bookseller | 2018-11-07 00:00:00 UTC ]
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The writers organization and free speech advocacy group has filed a lawsuit in federal court against President Donald Trump, seeking to stop the president from "using the machinery of government to retaliate or threaten reprisals against journalists and media outlets for coverage he dislikes." Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-10-16 00:00:00 UTC ]
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In his new book, the acclaimed author of 'The Master Switch: The Rise and Fall of Information Empires,' explains why a return to trust-busting is essential for American democracy. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-10-10 00:00:00 UTC ]
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Historical novelist Bernard Cornwell will make a cameo appearance in the Netflix broadcast of "The Last Kingdom Season Three" later this year. Continue reading at The Bookseller
[ The Bookseller | 2018-10-06 00:00:00 UTC ]
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Lara Prescott’s highly anticipated debut thriller, We Were Never Here, has now sold to 28 territories, with a screen adaptation in the works from the creators of "The Night Manager" and "La La Land". Continue reading at The Bookseller
[ The Bookseller | 2018-10-03 00:00:00 UTC ]
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Together with Bookwire, CB, and the International Publishing Distribution Association, Rüdiger Wischenbart has created a new 'European Ebook Barometer' to track digital activity in four key markets. The post A New ‘Barometer’ Checks Sales Conditions in Germany, Italy, the Netherlands, and Spain... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-10-03 00:00:00 UTC ]
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HarperCollins has agreed a deal with independent producer Rebecca Gushin to adapt Booker Prize-winning author Penelope Fitzgerald’s Human Voices for television. Continue reading at The Bookseller
[ The Bookseller | 2018-09-29 00:00:00 UTC ]
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Headline is publishing a TV tie-in of Andrea Levy’s The Long Song, set on a sugar plantation in Jamaica in the dying days of slavery, to coincide with its adaptation for a three-part drama on BBC One by Heyday Television and NBC Universal International Studios. Continue reading at The Bookseller
[ The Bookseller | 2018-09-28 00:00:00 UTC ]
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TV rights in Heather Morris’ bestselling novel The Tattooist of Auschwitz have been snapped up by Synchronicity Films for a multi-part, high-end international drama series. Continue reading at The Bookseller
[ The Bookseller | 2018-09-20 00:00:00 UTC ]
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At the September 16 Brooklyn Book Festival, four critics and curators tackled one of the most hotly-debated topics in the book and arts worlds in the era of #MeToo: how should the public reckon with the works of abusive artists? Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-17 00:00:00 UTC ]
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Beetle Boy creator M G Leonard says the key to screen adaptations lies in balancing creative licence with loyalty to the source. Continue reading at The Bookseller
[ The Bookseller | 2018-09-15 00:00:00 UTC ]
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