In our series “Can Writing Be Taught?”, we partner with Catapult to ask their course instructors all our burning questions about the process of teaching writing. This month, we’re featuring Jason Schwartzman, an essayist, and fiction writer, and author of the memoir No One You Know: Strangers and the Stories We Tell. Check out the […] The post Jason Schwartzman Believes Everyone Has a Piece of Flash Nonfiction In Them appeared first on Electric Literature. Continue reading at 'Electric Literature'
[ Electric Literature | 2022-04-27 11:00:00 UTC ]
“Being Deaf assigned me a battle,” said the model, producer and now writer. His memoir braids his life, his family’s legacy and the history of Deaf rights. Continue reading at The New York Times
[ The New York Times | 2022-04-19 17:05:48 UTC ]
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In Kathryn Davis’ new memoir Aurelia, Aurélia life becomes more precious, language more urgent, and grief strikes deep chords. Davis’ husband Eric, an “ecological economist,” died of cancer in 2019, and throughout Aurelia, Aurélia where there is not outright elegy there is elegiac anticipation.... Continue reading at Literrary Hub
[ Literrary Hub | 2022-04-18 08:50:38 UTC ]
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The theatre is a perennially popular setting for novelists and no wonder. The tawdry glamour and sense of spectacle make it a rich gift for any author, but it’s what happens behind the scenes that I find the most interesting. This is particularly true for those novels set on the 19th-century... Continue reading at Electric Literature
[ Electric Literature | 2022-04-14 11:00:00 UTC ]
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Marie Yovanovitch’s memoir makes a persuasive case for the officials who really did obstruct his agenda. Continue reading at Slate
[ Slate | 2022-04-13 09:45:00 UTC ]
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Jefferson’s “Constructing a Nervous System,” a companion to her earlier “Negroland,” explores the materials used to make identity and art. Continue reading at The New York Times
[ The New York Times | 2022-04-12 09:00:05 UTC ]
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In “Left on Tenth,” the veteran author looks back on a series of life-altering events, including a whirlwind romance at the age of 72. Continue reading at The New York Times
[ The New York Times | 2022-04-12 09:00:01 UTC ]
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"The Unwritten Book" is a memoir and essay collection that finds beauty in impermanence. Continue reading at The Washington Post
[ The Washington Post | 2022-04-11 10:00:28 UTC ]
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“Hello, Molly!,” the former “Saturday Night Live” star’s new book, recounts early family tragedy and a career of transgressive humor. Continue reading at The New York Times
[ The New York Times | 2022-04-10 09:00:06 UTC ]
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Dallas Mavericks CEO Cynt Marshall sells a memoir to Ballantine, Random House buys a Lincoln bio from Jon Meacham, and more. Continue reading at Publishers Weekly
[ Publishers Weekly | 2022-04-08 04:00:00 UTC ]
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Aamina Ahmad’s debut novel The Return of Faraz Ali begins with a moment of no return. Born and raised in Lahore’s old city, the young Faraz is forced to leave behind his mother and his sister Rozina. It isn’t until Faraz is an adult in 1968 working as a policeman, that he goes back to […] The... Continue reading at Electric Literature
[ Electric Literature | 2022-04-07 11:00:00 UTC ]
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“Tasha” is Brian Morton’s memoir of his complicated relationship with the woman who raised him. Continue reading at The New York Times
[ The New York Times | 2022-04-05 09:00:06 UTC ]
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She helped establish the study of postcolonial literature and made her own entry to the genre with the memoir "Meatless Days." Continue reading at The Washington Post
[ The Washington Post | 2022-04-01 22:48:53 UTC ]
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Ayanna Lloyd Banwo’s debut novel When We Were Birds begins in the time before time and follows the uneasy truce between the living and the dead. Cigarettes are offered, liquor is poured, prayers are said, all in the hope that the buried stay buried. This is the story of Yejide, a young woman who... Continue reading at Electric Literature
[ Electric Literature | 2022-04-01 11:00:00 UTC ]
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The grocery store of all places was my initial indoctrination into the world of horror. As my father shuffled up and down the aisles, dutifully stacking groceries in the cart for our family, I would sneak away to the magazine section and my eye was always drawn to the shiny paperback display... Continue reading at Electric Literature
[ Electric Literature | 2022-03-31 11:00:00 UTC ]
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At Slate, Maia Kobabe discusses writing Gender Queer, a memoir about self-acceptance and understanding, which has been challenged in schools and libraries across the country in recent months. “What I’m learning is that a book challenge is like a community attacking itself,” Kobabe says. “The... Continue reading at The Millions
[ The Millions | 2022-03-30 20:30:51 UTC ]
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Mine is the story of the woman who thought she was making a book about others; realized only as it was about to be published, that she was the broken one the book talked about. The fragmented, the dispersed, the uprooted. When I was editing the anthology Home in Florida: Latinx Writers and the... Continue reading at Electric Literature
[ Electric Literature | 2022-03-29 11:00:00 UTC ]
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Her 1989 book, “Meatless Days,” is viewed as an important work of postcolonial literature. Continue reading at The New York Times
[ The New York Times | 2022-03-28 22:06:48 UTC ]
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In Sensorium by Tanaïs is, at once, a sensuous and gut-wrenching experience in expansive memoir that bleeds across genre and time. Using perfume as a framework, Tanaïs builds the work slowly, moving from the base to the heart to the head notes, recounting alienation and life on the margins as a... Continue reading at Electric Literature
[ Electric Literature | 2022-03-25 11:00:00 UTC ]
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In “Every Good Boy Does Fine,” the concert pianist recalls his artistic and erotic awakening. Continue reading at The New York Times
[ The New York Times | 2022-03-24 15:00:06 UTC ]
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The voice of Ariel in Disney’s ‘The Little Mermaid’ is bringing a memoir to Tyndale Momentum, the co-authors behind ‘The Come Back Effect’ sign with Baker once again, and more. Continue reading at Publishers Weekly
[ Publishers Weekly | 2022-03-23 04:00:00 UTC ]
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