May was a quiet month for both the stock market and the Publishers Weekly Stock Index. Continue reading at 'Publishers Weekly'
[ Publishers Weekly | 2018-06-01 00:00:00 UTC ]
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Princeton University Press announces its PUP Audio division with four frontlist titles for the fall. And Penguin Random House Ireland partners with the charity Fighting Words on a student anthology. The post Industry Notes: Princeton Press Opens Audio Division; PRH Ireland Supports Fighting... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-07-10 00:00:00 UTC ]
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As befits one more year of strident political discussion dominating public consciousness, political books sold well in the print sector in the first half of 2018. (Kids' books and nonfiction did pretty well, too.) Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-09 00:00:00 UTC ]
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The annual list of the book trade’s next generation features a number of youngsters who are already right at the heart of the contemporary book trade. Continue reading at The Bookseller
[ The Bookseller | 2018-07-07 00:00:00 UTC ]
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‘Children of Blood and Bone,’ Jimmy Fallon’s first ’Tonight Show’ book club pick, is among the titles enjoying a boost in print unit sales this week. Plus Philadelphia Eagles QB Nick Foles publishers a memoir, and ‘Impractical Jokers’ costar James S. Murray launches a near-future SF trilogy. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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In this week’s column, R.L. Stine goes graphic, Claire Needell takes her sophomore novel to HarperTeen, Neal Porter signs a Caldecott Medalist, and more in this week's notable book deals. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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With unit sales of print books rising 4% in the adult nonfiction segment—the industry’s largest major category—total unit sales for the first half of 2018 increased 2% over the comparable period in 2017 at outlets that report to NPD BookScan. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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The bestselling iBooks in biographies and memoirs, fiction and literature, mysteries and thrillers, and more for the week ended July 1, 2018. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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This season’s list includes many titles from big-name figures that address how spiritual thinking can help to bridge divides, be they personal, social, spiritual, or political. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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The librarians are coming! The San Diego Public Library is once again teaming with Comic-Con International to organize the Comic Conference for Educators and Librarians. Here's our select listing of panels for each day of CCEL. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-06 00:00:00 UTC ]
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The creator of television's 'CSI' franchise and his wife create a new series of teen-told tales as graphic novels, Simon & Schuster distributing. And Sweden's still young Thunderful Publishing has a new acquisition in Rising Star Games. The post Industry Notes: Zuiker Press’ Issue-Based... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-07-05 00:00:00 UTC ]
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Oxford University Press has reported a slight decline in revenue and net profit for the fiscal year ended March 31, 2018, compared to fiscal 2017. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-05 00:00:00 UTC ]
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As the Fourth of July arrives each year, it brings with it many traditions—cheap beer, grilled hot dogs, and quasi-illegal fireworks, to name a few—but it also provides an opportunity at the year's half-way point to reflect on just what's gone on over the last six months. And there is perhaps no... Continue reading at Folio Magazine
[ Folio Magazine | 2018-07-03 00:00:00 UTC ]
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Penguin Random House hosted its second annual Company Week last month, from June 18-22, holding 65 events including talks, panels, workshops, and other activities for its employees. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-07-03 00:00:00 UTC ]
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UK audio production sector trade association The Radio Independents Group is relaunching as AudioUK, and with a broader remit, in the wake of the audiobook and podcasting boom, "to put audio production at the heart of the UK’s successful creative industries". Continue reading at The Bookseller
[ The Bookseller | 2018-07-03 00:00:00 UTC ]
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When the five startups chosen for this year's CONTENTshift program in Germany pitch their respective offers at Frankfurter Buchmesse, they'll have been given three months of accelerator attention and support. The post Five Startups from Germany, Latvia, and Romania Chosen for 2018 CONTENTshift... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-07-02 00:00:00 UTC ]
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Beach read mainstay Elin Hilderbrand has the #2 book in the country with ‘The Perfect Couple,’ her first murder mystery. Plus Instagram cartoonist Catana Chetwynd debuts at #10 in the country with ‘Little Moments of Love,' and Carson Daly’s recommendation boosts ‘First, We Make the Beast Beautiful.' Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-29 00:00:00 UTC ]
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##2 book
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A star-studded slate of authors and speakers energized and inspired librarians from the show’s main stages. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-29 00:00:00 UTC ]
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In 2014, the International Digital Publishing Forum executive director, Bill McCoy, spoke to 'PW' about the organization’s goals, influence, and success in advocating for accessibility in publishing and how ePub 3 will push its agenda forward. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-29 00:00:00 UTC ]
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At its most basic level, metadata is about 5W1H—the who, what, where, when, why, and how of a data set, object, or resource (such as an article, a book, or a journal). Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-29 00:00:00 UTC ]
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Maintaining the status quo is anathema to any digital solutions player. Not only is the competition always snapping at their heels but the client base (i.e., the publishing industry) constantly demands something new, unique, and robust to keep the workflow energized, audiences engaged, and... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-29 00:00:00 UTC ]
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