A career in music journalism is described with verve mixed with nostalgiaSylvia Patterson used to plaster her bedroom walls with pages from NME and Sounds, then at the zenith of taking themselves deadly seriously, and absorbed the ethos of music as revolution (as well as fun and frenzy). What a blast, then, to find herself, via a desperate stint at hoary Annabel magazine, working as a staffer on Smash Hits, whose relentlessly jokey glossary virtually wrote Eighties pop culture. Patterson’s nostalgia is palpable and she recreates that over-capitalised, “birrova laff” style with joy as she recalls encounters with the biggest music acts in the world as they exposed themselves to the magazine’s particular brand of ridicule in pursuit of publicity. Throughout an illustrious career in music journalism, Patterson has never lost her belief that pop and rock are, or should be, “foamingly important”; she describes the commodification of music into over-controlled “brands” with clarity and regret. Celebratory and elegiac, the book documents the last three and half decades in pop and gives an honest account of an exhilarating and gruelling life. Top read. Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2017-08-05 00:00:00 UTC ]
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Written By: Charlotte Williams The Publishers Association [PA] has attacked the culture secretary's decision to allow communications watchdog Ofcom to "delay" the Digital Economy Act. Culture Secretary Jeremy Hunt announced yesterday [1st February] that Ofcom is to assess whether the Act's... Continue reading at The Bookseller
[ The Bookseller | 2011-02-02 00:00:00 UTC ]
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Written By: Charlotte Williams John Blake has acquired world rights in the "candid, harrowing and often hilarious" autobiography of "Benidorm" actress Crissy Rock. Editor-in-chief Michelle Signore bought the rights through Ken Douglas at MCLA, with John Blake to publish on 12th March. This... Continue reading at The Bookseller
[ The Bookseller | 2011-01-31 00:00:00 UTC ]
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Written By: Charlotte Williams Sphere has acquired the autobiography of US comedy star Tina Fey, with editor-in-chief Antonia Hodgson acquiring British Commonwealth (incl. Australia and New Zealand) rights. Hodgson bought the rights to the title, Bossypants, from Hachette US, where it will be... Continue reading at The Bookseller
[ The Bookseller | 2011-01-27 00:00:00 UTC ]
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The assets of music magazine Pastewhich folded in print last fall but kept Pastemagazine.com alivehave been sold to Wolfgang's Vault, owner of a variety of music sites including Continue reading at Folio Magazine
[ Folio Magazine | 2011-01-26 00:00:00 UTC ]
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#digital edition