It started off modestly, but soon I was posting dozens of photos of my kids on social media. Now I’m quitting to reclaim real life, and their privacy• Charlotte Philby is the former editor of the website MotherlandWhen I made the decision, a month ago, to take myself off social media for a year, I did so for various reasons. Not least because my two-year-old had taken to running up to me with a worried expression, shouting “mummy, your phone!” whenever he found it not in my hand for more than five minutes.Having amassed some 10,000 Instagram followers as editor of Motherland, the online parenting magazine I ran for two years, I had watched myself mutate from the sort of person who purposely only ever uploaded photos of my kids in an “ironic” way, and only ever occasionally (“See my child being a total monster as we queue for soft-play on Mother’s Day!” sort of thing) to the kind who seemed to be obsessively spamming my various online profiles across Instagram, Facebook and Twitter, with fragments of my life. Related: The 'sharenting' divide: Half UK parents do not post children's pictures I wonder how many special moments with my kids I missed because I was busy trying to capture them for social media Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2017-08-04 00:00:00 UTC ]
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Wren & Rook, an imprint of Hachette Children's Group will publish Sinead Burke's "empowering" non-fiction children's book Break the Mould: How To Take Your Place In The World. Continue reading at The Bookseller
[ The Bookseller | 2020-05-28 21:49:23 UTC ]
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Chinese publishers, authors, and illustrators are united in their quest to deliver unique plots and creative ideas. Continue reading at Publishers Weekly
[ Publishers Weekly | 2020-04-17 04:00:00 UTC ]
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The oft-quoted numbers remain as compelling as ever: 370 million people under the age of 18, an additional 17.5 million babies born annually, and at least 600 active publishers in the children’s book industry. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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For Thinkingdom Children’s Books, the main goal in creating its first series of original children’s picture books goes beyond “helping every kid to become a book lover,” which has been the company’s motto since 2003. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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Nurturing homegrown talent and publishing outstanding original works are the main goals at China Children’s Press & Publication Group (CCPPG) this year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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With the 12th anniversary of Beijing Dandelion Children’s Book House just around the corner, founder and editor-in-chief Sally Yan has embarked on a personal project to reread and reexamine her company’s bestsellers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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Last year, Anhui Children’s Publishing House (ACPH) published 449 new titles, 79% of which (or 355 titles) were original works. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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Hachette Children’s Group (HCG) will next year publish a page in adult titles from The Orion Publishing Group asking the reader to encourage children to read. Continue reading at The Bookseller
[ The Bookseller | 2018-12-11 00:00:00 UTC ]
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While the number of indie bookstores around the country continues to grow, so too does one of the strongest segments of the books category, children's. NPD Books offered the latest stats and trends to watch. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-06-21 00:00:00 UTC ]
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Eleven years ago, in 2007, China Children’s Press & Publication Group (CCPPG) participated in the Bologna Book Fair for the first time. Their booth in Hall 29 was small, shabby, and minimally decorated and very few visitors dropped by. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Hunan Juvenile steadfastly pursues its goal to be “a kid’s best friend” by introducing quality content from far and near. Last year, the 36-year-old publisher released more than 600 new titles, including originals such as China’s Silk Road picture books, literature titles such as Tang Sulan’s... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The contradictions embodied in the folk symbol of the witch captured the attention of Sally Yan, founder and editor-in-chief of 11-year-old publishing company Beijing Dandelion. “The witch is a popular figure in Western classics: sometimes as the protagonist; other times, in the periphery. The... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The two biggest online book retailers in China are Dangdang and JD, which combined take up nearly two-thirds of the market. However, despite serving the same readership, their top 10 bestseller lists tend to differ greatly. Interestingly enough, for 2017, their charts share not even one title. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This publishing house is embarking on a major, and unique, transformation of its publishing program and editorial mind-set. For president Li Xueqian of CCPPG, current changes in the industry demand an aggressive move. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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“Helping every kid to become a book lover” is the motto at Thinkingdom Children’s Books, which was established in 2002 to translate classic and award-winning children’s books. Less than one year later, it published two well-known authors: Tetsuko Kuroyanagi (Totto-Chan: The Little Girl at the... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Baby Cube was founded by husband-and-wife team Yang Wenxuan and Liu Hong. The company grew out of their past professional experience in online retailing and literary publishing and out of their community outreach work focused on helping children to start reading. “It started as a reading club in... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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With its 2016 sales accounting for at least 7.5% of the Chinese children’s book market, Zhejiang Juvenile & Children’s Publishing House is the indisputable #1 children’s publisher in the country, a position it has occupied for the past 14 years. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Children’s Fun Publishing is a joint venture between Egmont Group and Posts & Telecommunications Press, so the wealth of foreign works in its 6,000-title catalogue is not surprising. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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With three offices in China and one in Lebanon, Anhui Children’s Publishing House adds about 800 new titles annually to its 15,000-title catalogue. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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