Coq-au-vin, or love in a lorry: the genius of Victoria Wood

With one-liners to rival Oscar Wilde or Mae West, she showed that satirical language can be soft and silly as well as wry and sharp. She will be missedVictoria Wood was an expert at encouraging us to lampoon language. Her forensically crafted writing was a warm, open invitation to point and laugh at the one thing above all else that makes us human: words.More specifically, the northern dialect of the English language. Lucy Mangan wrote about how her characters called their magazines “books” – idiosyncratically northern. Wood gave voice to something that characterises many of her delicious personas: a campness, in the Susan Sontag sense of the word. Her acute eye resulted in writing that was both well observed and ridiculous. Bringing out the camp in the northern housewife was oxymoronic: it added a linguistic layer of glamour to her downtrodden identity. This won her legions of devoted gay fans, including me. It blazed a trail for the comedy that could soften the Corrie matriarch. Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2016-04-27 00:00:00 UTC ]
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[ The Bookseller | 2021-07-28 01:59:59 UTC ]
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[ Book Riot | 2021-07-20 10:32:00 UTC ]
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[ World Literature Today | 2021-06-16 13:40:35 UTC ]
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[ Publishers Weekly | 2021-06-16 04:00:00 UTC ]
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[ The Washington Post | 2021-05-20 10:00:00 UTC ]
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[ The Christian Science Monitor | 2021-04-06 22:11:04 UTC ]
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