Confronting the audience and breaking the fourth wall: why Black drama is getting meta

On stage and screen, self-referential works such as A Strange Loop and American Fiction are on the rise, with playful postmodernism a potent weapon in the fight against inequalityOfficers storm a ballroom, releasing a flurry of bullets that pierce through a Black man as he collapses in a pool of his own blood. Monk, American Fiction’s neurotic protagonist, is unarmed, clutching nothing more than an ill-gotten literary award. It could end here. Yet – spoiler alert! – in the final act of the recent Oscar-winning film its writers take us along for the ride as they toy with reaching for a romantic reconciliation with Monk’s disgruntled ex-girlfriend or even fading to black with no resolution.American Fiction, an adaptation of Percival Everett’s novel Erasure, sees Monk, a middle-class Black academic, struggle to get his highly intellectual books published because they aren’t “Black enough”. In order to make some money for his family he writes Fuck, a Black working-class struggle narrative laden with violence, crime and pain. He instantly finds fame and fortune and is embraced by the cultural elite, who think he’s brave for being so authentic. Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2024-05-06 08:00:34 UTC ]

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