The 11th Shanghai International Children's Book Fair has announced its dates and some of its plans for its 2024 iteration. The post China’s Shanghai Children’s Book Fair Names 2024 Dates appeared first on Publishing Perspectives. Continue reading at 'Publishing Perspectives'
[ Publishing Perspectives | 2024-02-12 17:35:55 UTC ]
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The phrase “in the right place at the right time” seems tailor-made for Jieli. Its Usborne China imprint, launched in January 2017, came at an opportune moment when the Chinese market was ready for higher-priced toy- and game-based board books and novelty titles. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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After conducting a survey, the London Book Fair found that attendees preferred that the show be held in March. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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For 16-month-old Beijing Bright Culture, making an impact on the market is the top priority, and Jef Nys’s Jeremy series (or Jommeke in the original Belgian) is the answer. “We have published only 25 out of the available 278 volumes, meaning that we have a built-in long seller in our portfolio,”... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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As of today, Peppa Pig remains a bestseller in China. Winnie the Pooh continues to sell, and so does Charlie and the Chocolate Factory. There has been no restriction on these titles or on other foreign publications and translations. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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In April 2018, Foreign Language Teaching and Research Press (FLTRP) will publish Winnie and Wilbur: The Naughty Knight, the 18th title in the Winnie the Witch series. Plans are also in the works for illustrator Korky Paul to do a three-week tour of China, giving several lectures, including one... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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IlluSalon, the biggest international illustration platform in China, works with around 4,000 illustrators from more than 50 countries. For Hou Mingliang, founder of IlluSalon and host of the Global Illustration Award (as well as president of Kids Media), young and professional illustrators–with... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Small but beautiful” is our publishing motto, says editor-in-chief Ma Yuxiu of New Buds. “We have scaled down our annual output in recent years, opting instead to focus our resources on creating unique content.” Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The 2018 Special Report on children's publishing in China, plus related coverage. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This company needs little introduction, having collaborated with more than 500 international publishers since its inception in 1979. It is also China’s largest foreign language publisher and its third largest in terms of sales. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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XJPH’s books featuring Afanti (a Uighur protagonist) and the Mongolian epic Jangar are vivid reminders of what is possible from a publisher located in the vast Chinese interior, which borders eight countries and harbors 47 ethnic groups. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This is the Chinese home of the Wimpy Kid series, which made its first appearance in China in 2009 and has since sold more than 9.2 million copies. The decision to ignore market skepticism (this comics-style series with American humor and school culture was initially deemed unworkable in China)... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This low-profile multimedia company, established in 2014, collaborates with some of biggest brands in the world, including Disney, Dreamworks, and Lego. Kids Media excels at promoting and marketing these products. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-07 00:00:00 UTC ]
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Frankfurt Book Fair's Editors Trip will promote networking between children's publishing players in Germany and counterparts from Canada, the US, and UK. The post Frankfurt Book Fair NY’s Editors Trip Focuses on Children’s Publishing appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-06-06 00:00:00 UTC ]
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One of the founders of the Bologna Children’s Book Fair, Carla Poesio, has died. Continue reading at The Bookseller
[ The Bookseller | 2017-06-01 00:00:00 UTC ]
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Working with UNESCO's European Capital of Culture program for Denmark this autumn, Hay Festival plans a new children's literature festival for October. The post At London Book Fair: Hay Festival Names ‘Århus 39’ Writers appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-03-17 00:00:00 UTC ]
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This year marked the 60th anniversary of Xinjiang Juvenile Publishing House, which is located in Xinjiang, a province that makes up one-sixth of China’s total land area and borders eight countries, including Afghanistan, India, Kazakhstan, and Russia. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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This 27-year-old publisher (“a veritable young man in the industry,” says editor-in-chief Bai Bing) is less concerned with generating more new titles than publishing quality content for children. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Voted Best Children’s Publisher in Asia at the 2015 Bologna Children’s Book Fair, 21st Century Publishing Group has come a long way in its 32 years. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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This year's Bologna Children's Book Fair promises to be a colorful mashup of art, commerce, and technology. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Over the past decade, China has imported classic children’s books of all genres from the West at a rate far faster than it would have taken another country or territory to accomplish, observes director Chen Yushiuan of Beijing-based Bardon Chinese Media Agency. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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