“Between the Facts”: A Conversation with Monique Truong, by Renee H. Shea

Interviews Renee H. Shea Monique Truong / Photo © Haruka Sakaguchi Monique Truong, who came to the United States in 1975 as a refugee from Vietnam, began exploring untold and ignored histories in her first novel, The Book of Salt (2003), told through the voice of Binh, the cook of Gertrude Stein and Alice B. Toklas in Paris. Her autobiographical second novel, Bitter in the Mouth (2010) is a coming-of-age story set in North Carolina. In her most recent novel, The Sweetest Fruits (Viking, 2019), Truong tells the story of Lafcadio Hearn from the perspective of three women: his mother, Rosa; his first wife, Alethea; and his Japanese wife, Setsu. Shea: At its core, The Sweetest Fruits is a story about storytelling—and it’s Russian dolls of narrative! It’s not only that three different women have their say about Hearn and their relationship with him, but each is telling her story to a specific audience—so issues of mediation and agency add further complications, as do oral vs. written stories and translation. How did you arrive at this approach instead of just telling the story in the voice of one person, then the next, then the next? Truong: This question is a Russian doll of inquiries! You’re absolutely right that the novel is interested in the different ways that stories are transmitted to us: oral vs. written, in our mother tongue vs. in translation, private story vs. public history, women’s voices vs. men’s, face-to-face vs.... Continue reading at 'World Literature Today'

[ World Literature Today | 2019-09-17 13:54:26 UTC ]

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