Audio in extremis

Once upon a time, round about the start of the year, there was a settled order in the audiobook recording world.  A relatively small number of voice artists had at-home recording setups – often a booth, built in a spare room or the garden shed, which gave the experienced narrator greater flexibility in their work.  But the vast majority of recordings took place at specialist audiobook studios.  Continue reading at 'The Bookseller'

[ The Bookseller | 2020-05-10 19:59:08 UTC ]

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[ Publishing Perspectives | 2019-11-26 09:30:58 UTC ]
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Traditional publishers missing out on romance and sci-fi sales

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[ The Bookseller | 2019-11-25 14:46:44 UTC ]
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[ Literrary Hub | 2019-11-25 09:48:59 UTC ]
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Eight Audiobook Classics Written, and Narrated, by Women

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[ The New York Times | 2019-11-22 17:06:26 UTC ]
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[ The Bookseller | 2019-11-15 08:43:01 UTC ]
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Seymour wins FutureBook audio competition

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[ The Bookseller | 2019-11-12 17:32:18 UTC ]
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[ The New York Times | 2019-11-12 10:00:05 UTC ]
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[ Book Riot | 2019-11-04 11:37:38 UTC ]
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