As a recipient of the Arts Connects Us Grant I travelled to Ghana and Sierra Leone to meet with writers and publishing professionals working in the field of books for young readers to foster creative and collaborative exchanges between those contacts and publishing professionals and readers in the UK. This blog post is by necessity a focus on very specific meetings and conversations and is only a fraction of the encounters and connections I made. I planned my visit to Ghana to coincide with the PaGya! Festival which is organised by Writers Project Ghana and the Goethe Institute. Over the course of three days writers and publishers gathered to talk about everything from poetry to narrative non-fiction, memoir to books for younger readers. There was a packed programme from morning until night with simultaneous events happening making the festival a positive and vibrant event. Speakers came from all over the world and their backgrounds, interests and perspectives ensured a well rounded and broad look at the world of writing with roots in West Africa. Prior to the festival I had arranged several days of meetings with people involved in the world of children’s literature to talk about their work as writers and publishers and also to get to grips with the market in Ghana. It soon became very clear that not only is there a thriving publishing scene in Ghana it is one that is self-sufficient both in terms of talent and audience. I was told often that what readers in Ghana need... Continue reading at 'British Council global'
[ British Council global | 2019-03-19 11:10:28 UTC ]
Charles Wheelan's "We Came, We Saw, We Left" charts the Wheelan family's frantic global "gap year" — infections, iffy street food, tantrums and all. Continue reading at Los Angeles Times
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