“All Art Is History”: A Conversation with Parul Kapur, by Sangamithra Iyer

“All Art Is History”: A Conversation with Parul Kapur, by Sangamithra Iyer Interviews [email protected] Tue, 07/16/2024 - 15:20 On March 26, 2024, the Asian American Writers’ Workshop co-sponsored an event at Yu and Me Books to celebrate the New York City launch of Parul Kapur’s debut novel, Inside the Mirror (University of Nebraska Press), winner of the AWP Prize for the Novel. Parul was born in Assam, India, and raised in the United States. Her fiction appears in Ploughshares, Pleiades, Prime Number, and more. She has contributed articles and reviews to the New Yorker, Wall Street Journal Europe, Esquire, Art in America, Slate, Guernica, Los Angeles Review of Books, and the Paris Review. She was a press officer at the United Nations in New York and worked as a reporter at the city magazine Bombay in India. She holds an MFA from Columbia University and lives in Atlanta. Parul and I met almost twelve years ago in an online writing class led by Minal Hajratwala. The two of us and our third comrade, Geeta Kothari, have kept in touch ever since, writing a weekly email to each other with an update on our writing processes. For me, this weekly connection has been a buoy for my own work. It is an honor to bear witness to another writer’s artistic practices. I was delighted to be in conversation with Parul about her extraordinary novel and the many invisible labors behind it. Inside the Mirror is a story set in 1950s Bombay in... Continue reading at 'World Literature Today'

[ World Literature Today | 2024-07-16 20:20:51 UTC ]
News tagged with: #neutral facts #emotionally involved #collective sorrow #connective tissues #artistic desires #female mentor #breaking laws #indian traditions #character reflects #view art-making #ancestral inheritance #cultural fabric #mud huts #temple dancers #—highly stratified #short stories

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