Aliens Are Us: Sayaka Murata’s Earthlings, by Erik R. Lofgren

Book Reviews Photo by Daniel on Unsplash Readers will naturally and, perhaps, unfortunately, wish to make connections between Sayaka Murata’s (b. 1979) newest novel, Earthlings, translated by Ginny Tapley Takemori (Grove Press, 2021), and her wonderfully quirky Convenience Store Woman (which I previously reviewed for WLT). To be sure, the two novels share a focus on people who live at the margins of a stereotypically conformist Japanese society. Indeed, Natsuki, the protagonist of Earthlings, is waging a long-term battle against “The Factory,” her term for the myriad social expectations and constraints that serve to channel “Earthlings” into the dual roles of productive economic cogs and breeding receptacles for future cogs. She resolutely adopts a lifestyle that rejects such a regimented life and, in so doing, ensures that she will be the locus for society’s ire. That, however, is where the similarities end, and this is why it is well to resist the easy comparison to Murata’s earlier novel. Earthlings is a much darker work, building upon themes that privilege violations of taboos, some quite traumatic, to weave a tale that, in its conclusion, is about as different from Convenience Store Woman in tone as one might imagine. Here, Murata interrogates the transgressive potential of difference, yet we do not sense, in that exploration, the expected condemnations. Rather, we are asked to consider the forces that impinge on... Continue reading at 'World Literature Today'

[ World Literature Today | 2022-04-19 20:44:40 UTC ]

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