AI-generated images from text can't be copyrighted, US government rules

Any images that are produced by giving a text prompt to current generative AI models, such as Midjourney or Stable Diffusion, cannot be copyrighted in the US. That's according to the US Copyright Office (USCO), which has equated such prompts to a buyer giving directions to a commissioned artist. "They identify what the prompter wishes to have depicted, but the machine determines how those instructions are implemented in its output," the USCO wrote in new guidance it published to the Federal Register."When an AI technology receives solely a prompt from a human and produces complex written, visual, or musical works in response, the 'traditional elements of authorship' are determined and executed by the technology — not the human user," the office stated.It noted that the level of human creativity involved in a work is a significant consideration as to whether it will grant copyright protection. It suggested that current AI models can't generate copyrightable work. "Based on the Office's understanding of the generative AI technologies currently available, users do not exercise ultimate creative control over how such systems interpret prompts and generate material," the USCO said. "In the Office’s view, it is well-established that copyright can protect only material that is the product of human creativity." In one famous case, the office ruled that it couldn't allow selfies taken by a monkey to be copyrighted.When it comes to works that contain material generated by an AI,... Continue reading at 'Engadget'

[ Engadget | 2023-03-16 17:42:43 UTC ]

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NYCC 2022: Comics Navigate Massive Growth, Supply Chain Disruptions

Massive increases in graphic novel sales despite supply chain disruptions, the growing popularity of mobile webcomics, and recent changes in comic shop distribution, were among the trends discussed at ICv2’s Insider Talks, which returned to the Javits Center to open this year's New York Comic Con. Continue reading at Publishers Weekly

[ Publishers Weekly | 2022-10-07 04:00:00 UTC ]
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Cursed Princess Club: Talking with Lambcat

Launched in 2019, Cursed Princess Club is an original vertical-scroll online comic created by the artist Lambcat that has quickly grown into one of the most popular series on the Webtoon platform. A graphic novel adaptation of the series will be released in print in January 2023. Continue reading at Publishers Weekly

[ Publishers Weekly | 2022-10-05 04:00:00 UTC ]
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8 Great New Comics to Read This October

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[ Book Riot | 2022-10-03 10:35:00 UTC ]
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At Frankfurter Buchmesse: Sheikh Zayed Book Award Programming

The Sheikh Zayed Book Award at Frankfurter Buchmesse will present two panel discussions on Arabic literature and publishing. The post At Frankfurter Buchmesse: Sheikh Zayed Book Award Programming appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2022-09-28 20:05:10 UTC ]
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Kate Beaton on Creating the Best Graphic Novel of 2022

The cartoonist’s Ducks is a devastating memoir about life in the oil sands of northern Alberta, Canada. Continue reading at Wired

[ Wired | 2022-09-13 11:00:00 UTC ]
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Possible copyright changes could mean more money for Inuit artists

Whatever price artists get from their initial sale is, currently, all the money they'll ever receive from their art — though that could change if the federal government reforms Canada's copyright law to give artists a cut of resales. Continue reading at CBC

[ CBC | 2022-09-10 08:00:00 UTC ]
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Alex Ross Comes Full Circle

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[ Publishers Weekly | 2022-09-07 04:00:00 UTC ]
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The Making of Acting Class

Nick Drnaso on the making of his new graphic novel Acting Class, in this exclusive mini-documentary. The post The Making of Acting Class appeared first on Granta. Continue reading at Granta

[ Granta | 2022-08-26 21:19:48 UTC ]
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Review: “The Tryout” by Christina Soontornvat

The Thai American heroine of Christina Soontornvat’s graphic novel wrestles with anti-Asian racism while auditioning for the cheerleading squad. Continue reading at The New York Times

[ The New York Times | 2022-08-26 06:47:33 UTC ]
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Review: ‘Forever Truffle,’ by Fanny Britt and Isabelle Arsenault

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[ The New York Times | 2022-08-19 06:22:04 UTC ]
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Mad Cave Acquires Papercutz, the Kids’ Graphic Novel House

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[ Publishers Weekly | 2022-08-17 04:00:00 UTC ]
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Three Raymond Briggs books that helped make the graphic novel respectable

Much of his work was imbued with a sense of the end, so it is fitting to look back at three of his best works to mark the illustrator’s passing Continue reading at The Conversation

[ The Conversation | 2022-08-11 15:31:10 UTC ]
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“Swim Team: Small Waves, Big Changes” by Johnnie Christmas

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[ The New York Times | 2022-07-29 14:07:25 UTC ]
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[ Book Riot | 2022-07-26 10:31:00 UTC ]
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Windsor-Smith’s ‘Monsters’ Wins 2022 Eisner for Best New Graphic Novel

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[ Publishers Weekly | 2022-07-24 04:00:00 UTC ]
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“I Won’t Be Misrepresenting Anybody’s Life Experience But My Own.” A Conversation with Cartoonist and Comedian Luke Healy

Cartoonist and comedian Luke Healy (The Con Artists, Americana) and actor Connor Ratliff (Dead Eyes) spoke to one another as part of D+Q Live, a spring event series by the graphic novel publisher Drawn & Quarterly. The conversation revolved around Healy’s new book, The Con Artists, which... Continue reading at Literrary Hub

[ Literrary Hub | 2022-07-07 08:53:07 UTC ]
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Comics/Graphic Novel Sales Jumped 62% in 2021

Sales of comics and graphic novels rose 62% in 2021 over 2020, according to a new joint estimate by ICv2 and Comichron. Total comics and graphic novel sales to consumers in 2021 in the U.S. and Canada were approximately $2.07 billion, Continue reading at Publishers Weekly

[ Publishers Weekly | 2022-07-01 04:00:00 UTC ]
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The 2022 Yoto Carnegie Greenaway Winners Include a First Graphic Novel

The graphic novel of Jason Reynolds' 'Long Way Down' with illustrations by Danica Novgorodoff, is honored by the Carnegie Greenaway Awards. The post The 2022 Yoto Carnegie Greenaway Winners Include a First Graphic Novel appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2022-06-20 20:26:52 UTC ]
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“Red Scare” by Liam Francis Walsh

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[ The New York Times | 2022-06-10 14:04:58 UTC ]
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‘After lockdown, things exploded’ – how TikTok triggered a books revolution

Have teenagers taken control of publishing? With some authors notching up a billion views, we look at how TikTok is electrifying the world of books – creating bestsellers, reviving classics and rescuing neglected genresIt’s four o’clock on a sunny Saturday afternoon and the Krispy Kreme doughnut... Continue reading at The Guardian

[ The Guardian | 2022-06-08 05:00:14 UTC ]
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