Dynamic, radical, often female … Irish fiction is flourishing. Gone is the conservative writing – all nostalgia and sexual repression – of the Celtic Tiger years. The writers of the new wave are original and bold“Money kills the imagination,” says the narrator of Claire Kilroy’s 2012 novel The Devil I Know, a fiendishly good satire of the moment the Irish boom went bust. “It makes us want the same thing.” The book is set in 2016 and takes the form of one man’s testimony to a tribunal intended to uncover the sleaze and short-termism that enabled a giant property bubble to inflate in the years leading up to the global financial crash of 2008. In the autumn of 2015, we have not yet caught up with Kilroy’s future setting, but as the real-world aftershocks of the Celtic Tiger’s downfall continue, one Irish sector is booming: with the rise of a new wave of writers, from Paul Murray, Kevin Barry and Donal Ryan to first-time authors such as Eimear McBride, Sara Baume, Lisa McInerney and Colin Barrett, there is a palpable energy to Irish fiction.“There weren’t that many significant debuts during the entirety of the boom,” Kilroy says now. “Back then, by becoming a literary writer, you were pretty much setting yourself in opposition to the dominant ideology of the time, which was to make money, buy property and spend ostentatiously. I would suggest that a large proportion of my generation has been artistically neutered, for the time being at least.”We only publish stuff that's so... Continue reading at 'The Guardian'
[ The Guardian | 2015-10-17 00:00:00 UTC ]
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Indie booksellers raved about both fall/winter fiction and nonfiction offerings at BookExpo, but literary fiction with plots inspired by today's news headlines is what they were most excited about. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-05-30 04:00:00 UTC ]
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A Ghana-UK cooperation to support African writers led to the launch of a new literary agency for African middle-grade and teen fiction: Accord Literary. The post New Agency for African MG and YA Fiction: Accord Literary appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-05-10 00:00:00 UTC ]
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Welcome to the latest edition of Ad Age Publisher’s Brief, our roundup of news from the world of content producers across digital and print. Got a tip? Send it our way. Joining us late? Here's the previous edition. Cover stars: Chip and Joanna Gaines, who rose to fame through their hit HGTV... Continue reading at Advertising Age
[ Advertising Age | 2019-05-07 00:00:00 UTC ]
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True crime, “professional confessional” memoirs and titles that look into “sealed worlds” are the hottest non-fiction trends, according to agents who spoke to The Bookseller ahead of next week’s London Book Fair. Continue reading at The Bookseller
[ The Bookseller | 2019-03-08 00:00:00 UTC ]
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Academic Emilie Pine’s “vivid and powerful” Notes to Self (Hamish Hamilton) has won the An Post Irish Book of the Year 2018 following a public vote. Continue reading at The Bookseller
[ The Bookseller | 2019-01-30 00:00:00 UTC ]
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Women writers have excelled at the An Post Irish Book Awards, taking home the majority of awards for the first time, with authors such as Sally Rooney, Liz Nugent and Emilie Pine among the winning authors. Continue reading at The Bookseller
[ The Bookseller | 2018-11-29 00:00:00 UTC ]
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Walker Books will next month publish a Christmas story by Irish TV presenter Ryan Tubridy, with illustrations by Chris Judge. Continue reading at The Bookseller
[ The Bookseller | 2018-09-26 00:00:00 UTC ]
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Super Thursday will fall on 4th October this year, The Bookseller can reveal, when a whopping 544 new hardbacks will be hitting shelves—40 more than on last year’s equivalent day—all vying for a slice of the lucrative Christmas book market. Continue reading at The Bookseller
[ The Bookseller | 2018-07-02 00:00:00 UTC ]
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The 2017 bestseller list was dominated by women, with Margaret Atwood at the top, but the Booker still favours menOn the face of it, the revelation that female writers dominated the UK literary bestseller lists in 2017 might seem cause for celebration, a long-overdue correction that seems... Continue reading at The Guardian
[ The Guardian | 2018-01-22 00:00:00 UTC ]
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The widening of the Man Booker Prize criteria to allow Irish publishers to submit novels could lead to a "boom" in the publishing scene in Ireland, trade figures have suggested. Continue reading at The Bookseller
[ The Bookseller | 2018-01-10 00:00:00 UTC ]
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The intent of the eligibility change, according to the Booker Prize Foundation, is to be sure that Irish independent publishers can be recognized as readily as Irish publishers headquartered in the UK. The post Man Booker Prize for Fiction Adds New Eligibility for Irish Publishers appeared first... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-01-08 00:00:00 UTC ]
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Helen Cross, Andy Stelman, Mark Stewart and Richard Adams respond to a recent Guardian article by Tim LottAs someone whose tiny, grimy literary novels have attracted the interest of the film industry, the truth is the opposite of what Tim Lott (Why should we subsidise writers who’ve lost the... Continue reading at The Guardian
[ The Guardian | 2018-01-05 00:00:00 UTC ]
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Author Jilly Cooper has said that literary fiction should not receive state support, arguing instead that the money would be better spent on the declining newspaper industry. Continue reading at The Bookseller
[ The Bookseller | 2018-01-04 00:00:00 UTC ]
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Stories should come from all parts of society – not just from the well heeled and the middle classLiterary fiction, you might think, is in wonderful health. Book festivals, from Edinburgh and Wigtown in Scotland, to Hay-on-Wye in Wales, to Cheltenham and Bath in England, are flourishing. There... Continue reading at The Guardian
[ The Guardian | 2017-12-27 00:00:00 UTC ]
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As a new report reveals the dire financial straits being faced by literary novelists, we investigate how these bleak conditions arose and what can be done to help the writers, regarded by some as thoroughbreds and by others as ghosts of Christmas past. We also catch up with Edward St Aubyn, one... Continue reading at The Guardian
[ The Guardian | 2017-12-19 00:00:00 UTC ]
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Arts Council England has pledged to engage with more bookshops, fund more writers and lobby the government to provide tax relief to independent publishers following a report finding that “the general trend for literary fiction is a negative one”. Continue reading at The Bookseller
[ The Bookseller | 2017-12-16 00:00:00 UTC ]
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Competition from smartphones and readers sticking to well-known writers means novelists are suffering. We must find ways better ways to enable themFinally it’s official: literary fiction is in crisis, and writers across the land are burning the midnight oil in their garrets, teaching or slogging... Continue reading at The Guardian
[ The Guardian | 2017-12-16 00:00:00 UTC ]
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Arts Council England’s report into the crisis in literary fiction should serve as a "wake up call" to the industry which needs to "radically rethink" how it presents the genre, the chief executive of Curtis Brown has warned. Continue reading at The Bookseller
[ The Bookseller | 2017-12-16 00:00:00 UTC ]
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'Overall the books selling well' in the UK 'are not literary,' Arts Council England's commissioned report from the Canelo team announces. The post Arts Council England’s Alarm for Literary Fiction: ‘The Problem Is a Real One’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-12-16 00:00:00 UTC ]
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The Arts Council England report has set the internet ablaze – but are sales of literary fiction in decline because of snobbery, bad writing or Candy Crush?News: Literary fiction in crisis as sales drop dramaticallyArts Council England has sounded the alarm for literary fiction with a report... Continue reading at The Guardian
[ The Guardian | 2017-12-15 00:00:00 UTC ]
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