Dynamic, radical, often female … Irish fiction is flourishing. Gone is the conservative writing – all nostalgia and sexual repression – of the Celtic Tiger years. The writers of the new wave are original and bold“Money kills the imagination,” says the narrator of Claire Kilroy’s 2012 novel The Devil I Know, a fiendishly good satire of the moment the Irish boom went bust. “It makes us want the same thing.” The book is set in 2016 and takes the form of one man’s testimony to a tribunal intended to uncover the sleaze and short-termism that enabled a giant property bubble to inflate in the years leading up to the global financial crash of 2008. In the autumn of 2015, we have not yet caught up with Kilroy’s future setting, but as the real-world aftershocks of the Celtic Tiger’s downfall continue, one Irish sector is booming: with the rise of a new wave of writers, from Paul Murray, Kevin Barry and Donal Ryan to first-time authors such as Eimear McBride, Sara Baume, Lisa McInerney and Colin Barrett, there is a palpable energy to Irish fiction.“There weren’t that many significant debuts during the entirety of the boom,” Kilroy says now. “Back then, by becoming a literary writer, you were pretty much setting yourself in opposition to the dominant ideology of the time, which was to make money, buy property and spend ostentatiously. I would suggest that a large proportion of my generation has been artistically neutered, for the time being at least.”We only publish stuff that's so... Continue reading at 'The Guardian'
[ The Guardian | 2015-10-17 00:00:00 UTC ]
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While you're perusing the literary fiction shelves, create a haunting atmosphere with these eerie literary fiction titles for Halloween and beyond. Continue reading at Book Riot
[ Book Riot | 2019-10-31 10:40:16 UTC ]
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Edna O'Brien's Girl (Faber), Kevin Barry's Night Boat to Tangier (Canongate) and Joseph O'Connor's Shadowplay (Harvill Secker) are all in the running for Novel of the Year at the An Post Irish Book Awards. Continue reading at The Bookseller
[ The Bookseller | 2019-10-24 23:19:08 UTC ]
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The author of “How We Fight For Our Lives” explains why he left the Big Apple for the Midwest Continue reading at The Washington Post
[ The Washington Post | 2019-10-22 19:00:00 UTC ]
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Literary agents are gatekeepers of the publishing industry. Find women's fiction literary agents open to submissions in this post. List will be updated regularly. The post Women’s Fiction Literary Agents Open to Submissions by Robert Lee Brewer appeared first on Writer's Digest. Continue reading at Writer's Digest
[ Writer's Digest | 2019-09-18 13:00:29 UTC ]
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Literary agents are gatekeepers of the publishing industry. Find historical fiction literary agents open to submissions in this post. List will be updated regularly. The post Historical Fiction Literary Agents Open to Submissions by Robert Lee Brewer appeared first on Writer's Digest. Continue reading at Writer's Digest
[ Writer's Digest | 2019-09-11 12:59:53 UTC ]
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Writing literary fiction stories? Forget what you’ve learned about complex characters and earned endings. What you really need is to include the required tropes. To help you out, we’ve created this handy checklist. Literary Fiction Trope Checklist _____ 1. Starts with character waking up _____... Continue reading at Electric Literature
[ Electric Literature | 2019-07-26 11:00:50 UTC ]
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Literary agents are gatekeepers of the publishing industry. Find science fiction literary agents open to submissions in this post. List will be updated regularly. The post Science Fiction Literary Agents Open to Submissions by Robert Lee Brewer appeared first on Writer's Digest. Continue reading at Writer's Digest
[ Writer's Digest | 2019-07-22 11:00:17 UTC ]
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Indie booksellers raved about both fall/winter fiction and nonfiction offerings at BookExpo, but literary fiction with plots inspired by today's news headlines is what they were most excited about. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-05-30 04:00:00 UTC ]
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A Ghana-UK cooperation to support African writers led to the launch of a new literary agency for African middle-grade and teen fiction: Accord Literary. The post New Agency for African MG and YA Fiction: Accord Literary appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-05-10 00:00:00 UTC ]
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Welcome to the latest edition of Ad Age Publisher’s Brief, our roundup of news from the world of content producers across digital and print. Got a tip? Send it our way. Joining us late? Here's the previous edition. Cover stars: Chip and Joanna Gaines, who rose to fame through their hit HGTV... Continue reading at Advertising Age
[ Advertising Age | 2019-05-07 00:00:00 UTC ]
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True crime, “professional confessional” memoirs and titles that look into “sealed worlds” are the hottest non-fiction trends, according to agents who spoke to The Bookseller ahead of next week’s London Book Fair. Continue reading at The Bookseller
[ The Bookseller | 2019-03-08 00:00:00 UTC ]
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Academic Emilie Pine’s “vivid and powerful” Notes to Self (Hamish Hamilton) has won the An Post Irish Book of the Year 2018 following a public vote. Continue reading at The Bookseller
[ The Bookseller | 2019-01-30 00:00:00 UTC ]
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Women writers have excelled at the An Post Irish Book Awards, taking home the majority of awards for the first time, with authors such as Sally Rooney, Liz Nugent and Emilie Pine among the winning authors. Continue reading at The Bookseller
[ The Bookseller | 2018-11-29 00:00:00 UTC ]
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Walker Books will next month publish a Christmas story by Irish TV presenter Ryan Tubridy, with illustrations by Chris Judge. Continue reading at The Bookseller
[ The Bookseller | 2018-09-26 00:00:00 UTC ]
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Super Thursday will fall on 4th October this year, The Bookseller can reveal, when a whopping 544 new hardbacks will be hitting shelves—40 more than on last year’s equivalent day—all vying for a slice of the lucrative Christmas book market. Continue reading at The Bookseller
[ The Bookseller | 2018-07-02 00:00:00 UTC ]
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The 2017 bestseller list was dominated by women, with Margaret Atwood at the top, but the Booker still favours menOn the face of it, the revelation that female writers dominated the UK literary bestseller lists in 2017 might seem cause for celebration, a long-overdue correction that seems... Continue reading at The Guardian
[ The Guardian | 2018-01-22 00:00:00 UTC ]
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The widening of the Man Booker Prize criteria to allow Irish publishers to submit novels could lead to a "boom" in the publishing scene in Ireland, trade figures have suggested. Continue reading at The Bookseller
[ The Bookseller | 2018-01-10 00:00:00 UTC ]
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The intent of the eligibility change, according to the Booker Prize Foundation, is to be sure that Irish independent publishers can be recognized as readily as Irish publishers headquartered in the UK. The post Man Booker Prize for Fiction Adds New Eligibility for Irish Publishers appeared first... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-01-08 00:00:00 UTC ]
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Helen Cross, Andy Stelman, Mark Stewart and Richard Adams respond to a recent Guardian article by Tim LottAs someone whose tiny, grimy literary novels have attracted the interest of the film industry, the truth is the opposite of what Tim Lott (Why should we subsidise writers who’ve lost the... Continue reading at The Guardian
[ The Guardian | 2018-01-05 00:00:00 UTC ]
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Author Jilly Cooper has said that literary fiction should not receive state support, arguing instead that the money would be better spent on the declining newspaper industry. Continue reading at The Bookseller
[ The Bookseller | 2018-01-04 00:00:00 UTC ]
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