Shetland literature has a short history. Or, more accurately, the long history of Shetland literature has been truncated — the result of a double disadvantage, as far as official histories are concerned: an oral culture, in which few people could read or write, and a language that died out before literacy became widespread.The Northern Isles of Orkney and Shetland would once have been rich in songs, poems and stories, spoken and sung in Norn (the closest extant relative of which is Faroese). But after Shetland became part of Scotland, in the late fifteenth century, the language was gradually replaced by a distinctive local variant of Scots. And by the time cultural collectors began to take an interest in such things, a few hundred years later, Norn was pretty much gone. Only a single full-length ballad, ‘Hildina’, was ever transcribed.Romanticising the pastWhen writers from Shetland did begin to publish their work, in the early nineteenth century, the islands were already being written about by authors from elsewhere. Most significantly, Walter Scott used the islands as the setting for his 1822 novel The Pirate, in which he imagined a rather glamorous version of Shetland’s history, with a particular emphasis on its Norse heritage. That portrayal, by one of the world’s most famous authors, was influential, but it also highlights a conundrum for writers in the islands: A romanticised, exoticised depiction of Shetland may be more appealing to readers than one that shows the... Continue reading at 'British Council global'
[ British Council global | 2020-02-13 12:54:04 UTC ]
Allen & Unwin to publish How to be a Rock Star by Shaun Ryder, a memoir that promises to lift the lid on what it's like to be a rock star. Continue reading at The Bookseller
[ The Bookseller | 2021-02-25 01:13:37 UTC ]
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The bestselling novelist, subject of an upcoming HBO Max biopic and author of the new memoir 'The Soul of a Woman' discusses aging, feminism and home. Continue reading at Los Angeles Times
[ Los Angeles Times | 2021-02-24 17:00:12 UTC ]
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Two Roads will publish Billy Connolly's first autobiography, titled Windswept and Interesting. Continue reading at The Bookseller
[ The Bookseller | 2021-02-24 15:35:50 UTC ]
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A memoir by Where the Crawdads Sing author Delia Owens and her husband Mark Owens, titled Cry of the Kalahari, will be reissued by Corsair in October, 36 years after its first release. Continue reading at The Bookseller
[ The Bookseller | 2021-02-23 09:02:09 UTC ]
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Skyhorse Publishing, the imprint behind director Woody Allen's memoir, is considering suing HBO for sampling its audiobook for a documentary series. Continue reading at Los Angeles Times
[ Los Angeles Times | 2021-02-22 22:46:48 UTC ]
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John Murray Press imprint Two Roads has acquired Devorgilla Days: A Memoir of Hope and Healing by Kathleen Hart, a "heart-warming and deeply moving" memoir about recovery, resilience and starting over. Continue reading at The Bookseller
[ The Bookseller | 2021-02-22 09:27:36 UTC ]
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Cassell will publish the “hilarious and unflinching” memoir from award-winning author and journalist Emma John about "what it means to be alone when everyone else isn't". Continue reading at The Bookseller
[ The Bookseller | 2021-02-22 00:54:33 UTC ]
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WHAT WOULD YOU DO if the person who hurt you most refused to say they were sorry? Could you forgive anyway? Best-selling author Susan Shapiro explores this universal question in her intriguing, insightful, all-too-relatable new book The Forgiveness Tour, out this past January. In her... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2021-02-21 18:00:04 UTC ]
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A syllabus of sorts for exploring some of the funniest books of all time by the funniest people. Continue reading at The New York Times
[ The New York Times | 2021-02-19 10:00:27 UTC ]
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Kristin Iversen profiles Patricia Lockwood, writer of crystalline sentences, really good tweets, and a new novel about much more than the internet. | Lit Hub Yemisi Adegoke grapples with what it means to be a “returnee” to Lagos, after growing up in the UK. | Lit Hub Memoir “Am I prepared? Is... Continue reading at Literrary Hub
[ Literrary Hub | 2021-02-18 10:30:19 UTC ]
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An excerpt from “Blindfold: A Memoir of Capture, Torture, and Enlightenment,” by Theo Padnos Continue reading at The New York Times
[ The New York Times | 2021-02-16 13:32:26 UTC ]
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“Blindfold” is the American journalist Theo Padnos’s memoir of his nearly two years in captivity and a meditation on resilience. Continue reading at The New York Times
[ The New York Times | 2021-02-16 10:00:06 UTC ]
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“Ticking Clock,” a new memoir by Ira Rosen, a former producer for the show, recounts the newsmagazine’s pathbreaking journalism and its culture of harassment and abuse. Continue reading at The New York Times
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In 'Between Two Kingdoms,' young cancer survivor Suleika Jaouad writes with fierce honesty about the false divide between the sick and the well. Continue reading at Los Angeles Times
[ Los Angeles Times | 2021-02-15 15:00:38 UTC ]
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Actress and activist Evanna Lynch is publishing a "raw and compelling" memoir with Headline, exploring eating disorders and "the battle between perfection and creativity". Continue reading at The Bookseller
[ The Bookseller | 2021-02-15 11:29:21 UTC ]
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Vanessa Springora’s memoir, Consent, electrified the French literary world. American readers will find it exhilarating. Continue reading at Slate
[ Slate | 2021-02-15 10:50:00 UTC ]
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[ Literrary Hub | 2021-02-13 11:30:54 UTC ]
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Michael Patrick F. Smith’s “The Good Hand” is a memoir about grinding work in the last days of the Bakken oil boom. Continue reading at The New York Times
[ The New York Times | 2021-02-12 10:00:02 UTC ]
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Notes on Grief will recount the life of ‘a remarkable man of kindness and charm’ and the author’s struggle to absorb his loss during lockdown last yearChimamanda Ngozi Adichie has written a memoir about the sudden death of her father in lockdown last year. Notes on Grief, by the Orange... Continue reading at The Guardian
[ The Guardian | 2021-02-11 14:18:53 UTC ]
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TOVE DITLEVSEN’S first novel, A Child was Harmed, was sent back from the publisher with the accusation that she had “been reading too much Freud.” But Ditlevsen says she didn’t know who Freud was, a declaration that, 200-plus pages into her three-part memoir — a clear-eyed exploration of the... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2021-02-10 13:30:35 UTC ]
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