The Jörgits, an indie fantasy novel for kids nine and up, uses interactivity as a supplement to the story, not a stand-in for it. If there’s one reading experience that truly has been transformed by the interactive wonders of the tablet, it’s got to be the children’s book. Apps like The Fantastic Flying Books of Mr. Morris Lessmore, the award-winning animated story from Moonbot Studios, have shown how the iPad really can feel a little bit magical when used with care and consideration. But creating a flashy book for young tots, where there isn’t much risk of the visuals stepping on the story, is one thing. The Jörgits and the End of Winter, a fantasy novel for a slightly older set of youngsters, shows how interactivity can work in a slightly more substantial text. The app was created by Anders Sandell, a Finnish-born interaction designer who grew up in Hawaii, studied Chinese language and literature as an undergrad, earned a masters in NYU’s ITP program, and recently wrapped up a three-year stint establishing a toy design program at the Srishti School of Art, Design, and Technology, in Bangalore, India. Unsurprisingly, diversity and community are main themes of the designer’s book.Read Full Story Continue reading at 'Fast Company'
[ Fast Company | 2013-06-03 00:00:00 UTC ]
Author Timothy J. Hillegonds shares three ideas on how to determine what to include and what to leave out of a memoir so that it supports the main themes of the book. The post But This Really Happened: What to Include and Leave Out of a Memoir by Timothy Hillegonds appeared first on Writer's... Continue reading at Writer's Digest
[ Writer's Digest | 2019-10-28 15:03:11 UTC ]
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Rethinking ebooks, bridging the gap between trade and non-trade publishing, using digital to improve the publishing process, and putting authors in control, are the main themes to have come out of FutureBook’s request for 500 word manifestos about the future of the book business. Continue reading at The Bookseller
[ The Bookseller | 2015-09-02 00:00:00 UTC ]
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The Jörgits, an indie fantasy novel for kids nine and up, uses interactivity as a supplement to the story, not a stand-in for it. If there’s one reading experience that truly has been transformed by the interactive wonders of the tablet, it’s got to be the children’s book. Apps like The... Continue reading at Fast Company
[ Fast Company | 2013-06-03 00:00:00 UTC ]
More news stories like this