“still and yet and for all times”: A First Nations Anthology That Liberates Narratives of Indigenous Identity, by Dan Disney

Book Reviews Mitchell River National Park, Victoria, Australia / Photo by Zac Porter / Unsplash While the landmark anthology Guwayu – For All Times: A Collection of First Nations Poems (Magabala Books, 2020), edited by Jeanine Leane, refuses the “voyeuristic obsession with tragedy and trauma as the ultimate and only contribution of Aboriginal writing to Australian literary studies” (xix), at their most angered, the poems in Guwayu “sing for the massacres that litter our lands” (Ali Cobby Eckermann) and recall “Connected sites of significance [that] have disappeared” (Lorna Munro). These are poems enclosed within a brutally violent colonial history that has actively sought to exterminate Indigenous peoples and sever Indigenous cultural connections to place through, as Brenda Saunders makes clear, barbarous means: [. . .] Cleared forests, squared the land into parcels bound with wire. They drove sheep onto patchy runs, planted seed in a land with no seasons. They gave new names to our rivers and creeks. New laws defied our old beliefs, sent starving families drifting off Country. How to speak of the many documented genocides in Australia without the tragedy of dispossession  wholly defining narratives of Indigeneity? How to voice Indigenous truths from within the colonial episteme? Alongside other recently published anthologies of Indigenous poetry, Guwayu – For All Times stages an incandescent challenge to the... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-11-09 21:58:53 UTC ]
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