The man who ushered classics like Catch-22 into the world, Gottlieb has reason to brag. But in his new memoir Avid Reader he prefers to downplay the editor’s role Joseph Heller, the author of Catch-22, once gave an interview where he credited his editor with kicking his work into shape. After the interview ran, Heller got an irritated phone call. The caller was his editor, Robert Gottlieb. Gottlieb told Heller to knock it off. “I felt then, and still do, that readers shouldn’t be made aware of editorial interventions,” Gottlieb writes in his new memoir, Avid Reader: A Life. “They have a right to feel that what they’re reading comes direct from the author to them.”Gottlieb’s book is full of stories like that one. He is a very unassuming person, for an alleged legend – a characterization he laughs at to me, saying his daughter pokes fun at him for so often being called it. Yet beginning at Simon & Schuster in the 1950s and 1960s, flourishing at Knopf in the 1970s and 1980s, and with a brief but memorable detour to the New Yorker (as an editor), Gottlieb’s editing pen has touched the manuscripts of most of the important American writers of the 20th century – and several of the British ones, too. He did it, though, as much from behind the scenes as he possibly could. “I’ve given very few interviews,” he told me when I met him at his book-lined townhouse on New York’s East Side. He is only giving this one now, he says, because he needs to help the publisher sell his book. ... Continue reading at 'The Guardian'
[ The Guardian | 2016-09-27 00:00:00 UTC ]