Not even published, already damned – why are people running scared of Prince Harry’s memoir? | Catherine Bennett

With the help of a brilliant co-writer, a fully rounded picture may now emerge of the much-maligned royalNot since criminals were barred from profiting in this way can a publisher’s announcement of a memoir have united the British press in such disgust. Before that, even the gangster turned memoirist, “Mad” Frankie Fraser, was not, in his literary pomp, faulted for bringing shame upon his family. If, as a torturer for the Krays, Mr Fraser pulled out his victims’ teeth with pliers, well, he never came close to embarrassing the Queen – and doing so, yet more barbarously, in a jubilee year.Nothing, for the royal-watching guild, not even its professional interest in the benefits, can excuse Prince Harry’s decision to publish, with the help of an award-winning US author JR Moehringer, an “intimate and heartfelt” memoir. Defenders of cancel culture might, in fact, want to welcome this overdue acknowledgment from traditional media adversaries that free speech must have its limits. Unseen, the book has been damned as self-indulgent, superfluous, greedy, hurtful, biased, perfidious, overprivileged, hypocritical and premature. Did the 36-year-old émigré not check the UK guidelines for memoir writing? Who did he think he was – Malala? Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2021-07-25 07:00:45 UTC ]
News tagged with: #prince harry #british press #cancel culture #free speech #memoir

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Frankfurt Book Fair 2013: HC Wins Self-Published Novel In Major Buy

In what is rumored to be a deal worth $500,000, Jennifer Brehl at HarperCollins’s William Morrow imprint bought North American rights to Tina Seskis’s novel, One Step Too Far. Continue reading at Publishers Weekly

[ Publishers Weekly | 2013-10-10 00:00:00 UTC ]
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People on the Move | 10.10.13

Cosmopolitan has recently named Laura Brounstein special projects director. Brounstein formerly served as the editorial director for the Teen Group at Bauer Publishing.   Continue reading at Folio Magazine

[ Folio Magazine | 2013-10-10 00:00:00 UTC ]
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STM Publishing Meets “Tarzan Economics”

At the annual conference of the International STM Association just before the Frankfurt Book Fair, Jim Griffin advised publishers to get serious about exploiting the rights they own. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2013-10-09 00:00:00 UTC ]
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Frankfurt Book Fair 2013: What Is a Publisher Now?

The publishing industry is in the midst of a rapid, tech-fueled period of change, but what does that change mean for the future of the business? That was the question posed to an opening panel at the 2013 Frankfurt Book Fair: What Is a Publisher Now? Continue reading at Publishers Weekly

[ Publishers Weekly | 2013-10-09 00:00:00 UTC ]
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Self-Publishing Output Jumped 59% in 2012

A new analysis of ISBN data by Bowker found that the number of self-published books in 2012 rose 59% over 2011, growing to over 391,000 titles. Continue reading at Publishers Weekly

[ Publishers Weekly | 2013-10-09 00:00:00 UTC ]
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Videos from Frankfurt: CONTEC, Publishers Launch and More

The Publishing Perspectives team attended CONTEC Frankfurt and Publishers Launch at the Frankfurt Book Fair to find out what the crowds were buzzing about. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2013-10-09 00:00:00 UTC ]
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Publishing’s Civil Wars

There is a revolution afoot in publishing, but it might not be what you think. As the print vs. digital battle continues to play out, self-publishing continues to gain momentum and influence in the industry. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2013-10-08 00:00:00 UTC ]
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In the Digital Publishing Era, Content Trumps Platform

The varied views from digital publishers on display at Berlin's Rewrite the Web event revealed one commonality: content always takes precedent over platform. Continue reading at Publishing Perspectives

[ Publishing Perspectives | 2013-10-07 00:00:00 UTC ]
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Elizabeth Smart tells her story in new memoir

The disappearance of 14-year-old Elizabeth Smart dominated headlines a decade ago. Now 25, Smart tells of her experiences in "My Story," a memoir published this week by St. Martin's.The disappearance of 14-year-old Elizabeth Smart dominated headlines a decade ago. Now 25, Smart tells of her... Continue reading at Los Angeles Times

[ Los Angeles Times | 2013-10-07 00:00:00 UTC ]
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Publisher of Philadelphia Inquirer Fires Editor

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[ Editor & Publisher | 2013-10-07 00:00:00 UTC ]
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S&S and Yilin Press Enter Distribution and Publishing Agreement

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[ Publishers Weekly | 2013-10-07 00:00:00 UTC ]
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Publishing’s New Normal

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[ Publishers Weekly | 2013-10-05 00:00:00 UTC ]
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October’s Top Reviews of Self-Published Books from BlueInk Review

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[ Publishing Perspectives | 2013-10-04 00:00:00 UTC ]
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Frankfurt Book Fair 2013: The Publisher: Innovator or Traditionalist?

There is no denying that the past decade has seen some mighty changes within the publishing industry. Continue reading at Publishers Weekly

[ Publishers Weekly | 2013-10-04 00:00:00 UTC ]
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Former Facebook employee says Dave Eggers copied her memoir in his new novel

Former Facebook employee Kate Losse says Eggers used her personal story as the narrative for his novel 'The Circle.' Continue reading at The Christian Science Monitor

[ The Christian Science Monitor | 2013-10-03 00:00:00 UTC ]
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San Diego Reader Launches eBook Publishing Program to Re-Introduce Great Writing to New Readers

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[ Editor & Publisher | 2013-10-03 00:00:00 UTC ]
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The Abomination of Ebooks: They Price People Out of Reading

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[ Wired | 2013-10-02 00:00:00 UTC ]
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Publishers, AOL Partner on Subscription Service

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[ Folio Magazine | 2013-10-02 00:00:00 UTC ]
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Memoir-based '12 Years a Slave' is getting major Oscar buzz

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[ The Christian Science Monitor | 2013-10-02 00:00:00 UTC ]
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Lucidpress: drop-and-drag publishing app simplifies document design

For professional looking design, Adobe Creative Suite products such as InDesign, Illustrator, and Photoshop are feature-rich tools you can use to create stunning projects. But using them isn’t cheap. Creative Cloud, which gives you Web access to these software offerings  is $50 a month, and even... Continue reading at PC World

[ PC World | 2013-10-02 00:00:00 UTC ]
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