BEA 2016: Stacey Kade: Survivor Tale

On the morning of September 11, 2001, Stacey Kade, working as a copywriter in a Chicago area insurance company, noticed her colleagues gathered around the television in their media center. She joined them as the horrors at the World Trade Center unfolded. Continue reading at 'Publishers Weekly'

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]

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BEA 2016: Michael Schumacher: Life and Death on the Great Lakes

Michael Schumacher doesn’t know why he is so fascinated with the Great Lakes, but it’s been a lifelong passion. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Christine Sneed: Stories Living a New Life

Christine Sneed’s new story collection, The Virginity of Famous Men (Bloomsbury, Sept.), has been with her for a while. She first wrote a (different) story with that title about 12 years ago, but decided it wasn’t good enough. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Books by Whitehead, Patchett Among Show’s Biggest

There are a lot of heavy hitters at this year's BEA, but four titles consistently came up in conversations with book buyers: Colson Whitehead's 'The Underground Railroad,' 'The Nix' by Nathan Hill, 'Commonwealth' by Ann Patchett, and 'The Girls' by Emma Cline. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Colson Whitehead: The Underground Railroad As More Than Metaphor

Although Colson Whitehead says that he wrote The Underground Railroad (Doubleday, Sept.) “pretty quickly” last year, this novel has been 15 years in the making. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Ann M. Martin: Mrs. Piggle-Wiggle’s Niece Follows in Her Footsteps

Introduced in 1947’s Mrs. Piggle-Wiggle, Betty MacDonald’s eponymous heroine won the hearts of children and their parents, who were—and continue to be—enchanted by her magical cures for such timeless vexations as kids’ impudence, interrupting, bickering, and refusal to share. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Robert Olen Butler: Veteran Writer

The striking similarities between Pulitzer Prize–winner Robert Olen Butler and the narrator in his latest novel, "Perfume River," leads readers to wonder if the book is in some way autobiographical. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Mass Media Is Dead. Long Live Micromedia

Remember the days when getting an author in the New York Times, on the Today show, Oprah, or, for us old-timers, Carson practically guaranteed a spot on the bestseller list? Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Kobo's User Data Reveals Its 'Sexiest' E-book Consumers

Rakuten Kobo CEO Michael Tamblyn notes that readers over the age of 50 drive ebook sales, though they still love their print titles. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: The Mystique Continues

Yale University Press is honoring the fashion designer Alexander McQueen with two different publications at Book Expo. Alexander McQueen: Unseen by Robert Fairer debuts in November. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Karen Alpert: A Time Out for Mom

Karen Alpert has never taken motherhood too seriously. This is good for her many fans, who laugh hysterically and occasionally cry at her wry observations, deep understanding, and bad language about the joys and sorrows of being a mom. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Emma Flint: ‘Little Deaths,’ Big Buzz

Growing up in the north of England, Emma Flint was 10 years old when she wrote her first fiction, an Agatha Christie pastiche replete with a thickly mustached French detective. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Browsing the Booths, Chapter 2

For those on the lookout for new kids’ books, author autographings, and giveaways, here’s a peek at some of the happenings at the booths of children’s publishers today and tomorrow. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Emily Fridlund: A Novel First

What began as a short story and an academic endeavor was easily transformed into the opening chapter of Emily Fridlund's first novel, "The History of Wolves," told from the point of view of a 14-year-old named Linda. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Emil Ferris: On Monsters and Music

BEA is one of Emil Ferris’s first stops in the launch of her graphic novel, "My Favorite Thing Is Monsters," (Fantagraphics, Oct.), a fiction that evokes myth, horror, psychedelia, and wonder through the illustrated notebook of Karen Reyes. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Richard Jackson and Jerry Pinkney: Joining Forces: A Pair of Venerable Children’s Book Figures

Two mainstays of children’s publishing have teamed up to create a picture book, "In Plain Sight" (Roaring Brook, Sept.). Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: How Booksellers Can Create Better In-Store Events

Building relationships in one's local community is key to creating productive and profitable events, a panel of four veteran booksellers told an audience of 50 at BEA on Wednesday. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Publishers’ Graphics Turns 20

Back in 1996, the idea of print-on-demand book publishing was new, a process made possible by improved digital printing technologies. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Nicole Dennis-Benn: The Real Jamaicans

Nicole Dennis-Benn describes her debut novel, "Here Comes the Sun" (Norton, July), as “a love letter to Jamaica—my attempt to preserve her beauty by depicting her flaws.” Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Brit Bennett: A Coming-of-Age Debut

A young phenom in the making, Brit Bennett, 25, started writing "The Mothers" while still in high school in Oceanside, Calif., finishing it not long ago while a Zell Postgraduate Fellow at the University of Michigan, and polishing it as recently as two months ago. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Getting Out the New Localism

The next step for the buy local movement is to move it into the policy arena, said Stacy Mitchell, co-director of the Institute for Local Self-Reliance. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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