Nicole Dennis-Benn describes her debut novel, "Here Comes the Sun" (Norton, July), as “a love letter to Jamaica—my attempt to preserve her beauty by depicting her flaws.” Continue reading at 'Publishers Weekly'
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Although Colson Whitehead says that he wrote The Underground Railroad (Doubleday, Sept.) “pretty quickly” last year, this novel has been 15 years in the making. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Thomas Mullen has been playing with genres for a long time. He has mixed historical fiction with magical realism, played with the spy novel, and is now mixing a police procedural with a fact-based piece of historical fiction. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Although Maria Semple has written two previous novels—most recently the bestselling "Where’d You Go, Bernadette," with a film adaptation in the works—the one-time TV writer ("Mad About You," "Arrested Development") says writing them never gets easier. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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As writer and television producer Noah Hawley puts it, with Emmy, Golden Globe, PEN, Critics Choice, and Peabody Awards under his belt, “I certainly don’t have to write another book if I don’t want to, but I find it’s a very important thing to me to be a novelist. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Canadian publisher Coach House Books is marking its 51st anniversary with its second presentation in as many years at the Uptown Stage (today, 1:45 p.m.) for the BEA Selects Literary Fiction program. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Beth Macy, the author of the New York Times bestseller Factory Man, is known for writing about marginalized people and outsiders. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Unit sales of ebooks published by traditional publishers fell 13% in 2015 compared to 2014, said Kempton Mooney of Nielsen during a Thursday panel aimed at examining different publishing markets. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Remember the days when getting an author in the New York Times, on the Today show, Oprah, or, for us old-timers, Carson practically guaranteed a spot on the bestseller list? Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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Karen Alpert has never taken motherhood too seriously. This is good for her many fans, who laugh hysterically and occasionally cry at her wry observations, deep understanding, and bad language about the joys and sorrows of being a mom. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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A young phenom in the making, Brit Bennett, 25, started writing "The Mothers" while still in high school in Oceanside, Calif., finishing it not long ago while a Zell Postgraduate Fellow at the University of Michigan, and polishing it as recently as two months ago. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Polish publishers see a promising future in the country's billion-dollar book market, but growth will not come without challenges. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA is one of Emil Ferris’s first stops in the launch of her graphic novel, "My Favorite Thing Is Monsters," (Fantagraphics, Oct.), a fiction that evokes myth, horror, psychedelia, and wonder through the illustrated notebook of Karen Reyes. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Jennifer Weiner is widely known to adult readers for her bestselling women-centric novels (Good in Bed; Who Do You Love), her columns for the New York Times Op-Ed pages and Sunday Review, and her humorous Twitter feed. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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More than 20 years ago, when Laurie Halse Anderson was researching the epidemic that inspired her first historical middle-grade novel, Fever 1793, she came across a stunning piece of information. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Building relationships in one's local community is key to creating productive and profitable events, a panel of four veteran booksellers told an audience of 50 at BEA on Wednesday. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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While the ownership of Baker & Taylor may have changed in the past weeks, the story of the two Scottish Fold cats Baker and Taylor, which have come to symbolize the company’s library wholesale division, endures. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Blackstone Audio, the independent audiobook publisher based in Ashland, Ore., has launched Blackstone Publishing, a new imprint devoted to print and ebooks. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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The next step for the buy local movement is to move it into the policy arena, said Stacy Mitchell, co-director of the Institute for Local Self-Reliance. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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It’s been a long time since Jay McInerney attended a BEA, “at least 10 years,” says the author, whose highly anticipated new novel, Bright, Precious Days (Knopf) will land in bookstores this August. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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Growing up in the north of England, Emma Flint was 10 years old when she wrote her first fiction, an Agatha Christie pastiche replete with a thickly mustached French detective. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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