Short ebooks: don't let one bad experience ruin a literary phenomenon

Penelope Lively's recent short ebook for Penguin drew criticism for its brevity – but readers should not be put off the genre as a whole"Overpriced", "ridiculous", I feel cheated". Amazon reviewers haven't been wholly positive about a digital short Penelope Lively has written for Penguin Specials. On the evidence of the story itself, it's not Lively's fault. Abroad is about a pair of art students who travel to 1950s Spain in search of picturesque peasants and are disappointed when they don't live up to expectations. It's funny and evocative of a time when rural Europe was still exotic.It also peters out after just 4,000 words, so I sympathise with anyone who felt ripped off by its £1.99 price tag. These days you can buy two whole novels for that. The sad fact is, publishers don't make any money if an ebook costs less than £1.99. Amazon does, because singles are the literary equivalent of a gateway drug.This was brought home to me on finishing Susan Hill's latest effort, Printer's Devil Court (99p), a haunting tale about pre-second world war medical students who experiment with resurrection. More substantial than Lively's, it's a great, old-fashioned ghost story, whose chilling impact was somewhat undermined by turning the final page to find Amazon ordering me to rate, review, tweet, Facebook and buy more books by Susan Hill. Was the ebook I'd enjoyed little more than a trailer?Singles are a clever marketing tool. But it would be a shame if readers short-changed by one... Continue reading at 'The Guardian'

[ The Guardian | 2013-11-17 00:00:00 UTC ]

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