Located in Beijing’s central business district, the two-story Juvenile & Children Reading Experience Wonderland is a full-fledged subsidiary of China Children’s Press & Publication Group. Continue reading at 'Publishers Weekly'
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Jieli’s publishing program, particularly that of its original titles, embraces realism. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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For Li Xin, vice president and general editor of the children’s book division at Thinkingdom Children’s Books, Leo Lionni’s 'Swimmy' is that book. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-03-15 00:00:00 UTC ]
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As China's children's book market matures, publishers are look at ways to develop more local talent while maintaining a balance with foreign titles. The post China’s Children’s Book Market: Big Numbers and Local Talent appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-11-16 00:00:00 UTC ]
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The China Shanghai International Children's Book Fair opens Friday under new production arrangements–after Reed's departure–with BolognaFiere as a co-organizer. The post Italy in China: Bologna Children’s Book Fair Co-Organizes Shanghai’s Fair appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-11-07 00:00:00 UTC ]
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The US-based Chronicle Books has introduced a new partnership with Trustbridge Global Media to translate, publish and distribute up to 20 children's titles into Chinese in the first year. The post New Partnership Announced To Publish Chronicle’s Children’s Books in China appeared first on... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-08-27 00:00:00 UTC ]
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Scottish Book Trust has received £40,000 funding for Glasgow Reading Buddies, a project that encourages reading for pleasure in primary schools in Glasgow. Continue reading at The Bookseller
[ The Bookseller | 2018-08-16 00:00:00 UTC ]
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Given a chance to speak to an audience of consumers, translation specialists brought together by the National Book Foundation, spoke about cultural distinctions, the challenges to finding readership, and bookselling tactics for the uninitiated. The post At the National Book Foundation’s... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-07-12 00:00:00 UTC ]
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Today, only some 30 percent of Estonian children's literature originates in Estonia. Katrin Reinmaa is one of the leading publishers of content for youngsters, in a country where 'books are expensive both to publish and to buy.' The post Publisher Katrin Reinmaa on the ‘Sun and Cloud’ of the... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-04-18 00:00:00 UTC ]
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In an interview during the Bologna Book Fair, Haiyun Zhao from SAPPRFT and Xueqian Li of CCPPG discuss the rapid development of China’s children’s book publishing market. The post Why China’s Children’s Book Industry Is Growing So Fast appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-03-28 00:00:00 UTC ]
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The past few years have seen social media, propelled by the all-purpose WeChat app and the Weibo microblogging service, become an indispensable promotional and sales channel in the Chinese publishing industry. Critics point to challenges facing publishers who depend on social media marketing.... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This is the Chinese home of the Wimpy Kid series, which made its first appearance in China in 2009 and has since sold more than 9.2 million copies. The decision to ignore market skepticism (this comics-style series with American humor and school culture was initially deemed unworkable in China)... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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For 16-month-old Beijing Bright Culture, making an impact on the market is the top priority, and Jef Nys’s Jeremy series (or Jommeke in the original Belgian) is the answer. “We have published only 25 out of the available 278 volumes, meaning that we have a built-in long seller in our portfolio,”... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The 2018 Special Report on children's publishing in China, plus related coverage. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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In April 2018, Foreign Language Teaching and Research Press (FLTRP) will publish Winnie and Wilbur: The Naughty Knight, the 18th title in the Winnie the Witch series. Plans are also in the works for illustrator Korky Paul to do a three-week tour of China, giving several lectures, including one... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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IlluSalon, the biggest international illustration platform in China, works with around 4,000 illustrators from more than 50 countries. For Hou Mingliang, founder of IlluSalon and host of the Global Illustration Award (as well as president of Kids Media), young and professional illustrators–with... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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As of today, Peppa Pig remains a bestseller in China. Winnie the Pooh continues to sell, and so does Charlie and the Chocolate Factory. There has been no restriction on these titles or on other foreign publications and translations. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Most overseas publishers are familiar with the reputation of Tomorrow Publishing House, which was founded 35 years ago and has translated more than 1,000 titles. Credited for putting several local authors—Yang Hongying, Cao Wenxuan, Wu Meizhen, and Yu Yujun, for instance—on the international... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Small but beautiful” is our publishing motto, says editor-in-chief Ma Yuxiu of New Buds. “We have scaled down our annual output in recent years, opting instead to focus our resources on creating unique content.” Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This company needs little introduction, having collaborated with more than 500 international publishers since its inception in 1979. It is also China’s largest foreign language publisher and its third largest in terms of sales. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The phrase “in the right place at the right time” seems tailor-made for Jieli. Its Usborne China imprint, launched in January 2017, came at an opportune moment when the Chinese market was ready for higher-priced toy- and game-based board books and novelty titles. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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