PW talks with Tara Walker, v-p and publisher at Penguin Random House Canada Young Readers. Continue reading at 'Publishers Weekly'
[ Publishers Weekly | 2018-09-14 00:00:00 UTC ]
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We investigate how specialist children's, illustrated/comic and academic/educational publishers fared last year in our Review of 2018. Continue reading at The Bookseller
[ The Bookseller | 2019-01-19 00:00:00 UTC ]
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The value of print books sold in Canada totaled C$1.13 billion ($850 million) in 2018, with 54.7 million units sold, according to data released by BookNet Canada and BNC SalesData, the national sales tracking service. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-15 00:00:00 UTC ]
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The Publishers Association's second annual diversity survey found that racial and ethnic criteria were where progress is slowest in the UK industry. The post UK Publishers’ 2018 Diversity Report: ‘More Needs To Be Done’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-01-14 00:00:00 UTC ]
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With 2018 in the rearview mirror, we take a look back at some of the biggest stories that captured headlines in the industry last year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-04 00:00:00 UTC ]
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The industry made small improvements on such hot-button issues as pay disparity and workforce diversification in 2017—but sexual harassment remains an issue. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-11-09 00:00:00 UTC ]
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Sharjah's work promoting Arab book markets includes its annual rights center at Sharjah International Book Fair, which will host 350 companies this year. The post Sharjah’s 2018 Rights Center to Host More Than 350 Publishers and Agencies appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-10-25 00:00:00 UTC ]
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It's been a remarkable year for journalism and storytelling, as legacy media outlets continue to find their new identities in this rapidly evolving digital era. Others have had to nimbly reimagine themselves after being acquired by new owners, all while strategizing for the future with new... Continue reading at AdWeek
[ AdWeek | 2018-10-15 00:00:00 UTC ]
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Trying something new isn’t always within the fabric of publishers, especially if they’re unsure of the results. In the final day of the 2018 Folio: Show, speakers highlighted how fighting through these moments of discomfort with a new brand, platform, or strategy can lead to more loyal readers... Continue reading at Folio Magazine
[ Folio Magazine | 2018-10-11 00:00:00 UTC ]
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At 10:30 a.m. daily, join us on the International Stage, Hall 5.1 (A128), for talks on the industry and subscriptions, publishing and politics, and augmented reality at its most practical. By Porter Anderson, Editor-in-Chief | @Porter_Anderson Your Morning Break With Newsmakers hile at... Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-10-10 00:00:00 UTC ]
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Essay collections from Québec may most often be written in French, but they feature a distinctly North American perspective on history, literature, and politics. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec and its long, dark winters have much in common with the Scandinavian environment that has proven such a fertile ground for authors in the ever-popular Nordic noir genre. W Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Thoughts turn quickly to bustling Montréal when literary types mention Québec literature. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec is home to many world-renowned illustrators, including Isabelle Arsenault, Marianne Dubuc, Geneviève Godbout, the cover artist for this special report, and Elise Gravel. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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The YA scene in Québec today, says literary translator Arielle Aaronson, is grounded in strong characters and good old-fashioned storytelling. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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From the outside, it is easy to make the wrong assumption about Canadian publishing. Yes, there are two very different publishing scenes in Canada: French language and English language. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Practical, useful nonfiction books that appeal to readers across the world: it sounds like a tall order, but Québec consistently delivers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec publishers and authors are confident looking abroad, searching less for reassurances and acknowledgment from the rest of the world than for new international outlets to share all they have to say. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Kim Thúy and Heather O’Neill both live in Montréal, though they have their differences. Thúy was among the boat people who emigrated from Vietnam after the fall of Saigon, while O’Neill has called the city home for most of her life. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec Édition is a committee within the Association nationale des éditeurs de livres (ANEL), a group that brings together French-language publishers from across Québec and the rest of Canada. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Government Executive Media Group is in the midst of an ongoing evolution. Once a traditional b2b publisher with print editions, it's now a digital-only organization with a number of innovative products. Its business model doesn't support user-based revenue and instead focuses in other areas,... Continue reading at Folio Magazine
[ Folio Magazine | 2018-09-19 00:00:00 UTC ]
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