Making Canadian audiobooks for Canadians means turning an eye—and an ear—to what makes Canada unique. Continue reading at 'Publishers Weekly'
[ Publishers Weekly | 2018-09-14 00:00:00 UTC ]
The value of print books sold in Canada totaled C$1.13 billion ($850 million) in 2018, with 54.7 million units sold, according to data released by BookNet Canada and BNC SalesData, the national sales tracking service. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-15 00:00:00 UTC ]
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The Publishers Association's second annual diversity survey found that racial and ethnic criteria were where progress is slowest in the UK industry. The post UK Publishers’ 2018 Diversity Report: ‘More Needs To Be Done’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-01-14 00:00:00 UTC ]
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With 2018 in the rearview mirror, we take a look back at some of the biggest stories that captured headlines in the industry last year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-01-04 00:00:00 UTC ]
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Hutchinson is set to publish Michael Palin’s North Korea journal after associate publisher Nigel Wilcockson acquired the Monty Python member's account of his trip to one of the world’s most isolated countries. Continue reading at The Bookseller
[ The Bookseller | 2018-12-04 00:00:00 UTC ]
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The industry made small improvements on such hot-button issues as pay disparity and workforce diversification in 2017—but sexual harassment remains an issue. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-11-09 00:00:00 UTC ]
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Sharjah's work promoting Arab book markets includes its annual rights center at Sharjah International Book Fair, which will host 350 companies this year. The post Sharjah’s 2018 Rights Center to Host More Than 350 Publishers and Agencies appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2018-10-25 00:00:00 UTC ]
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It's been a remarkable year for journalism and storytelling, as legacy media outlets continue to find their new identities in this rapidly evolving digital era. Others have had to nimbly reimagine themselves after being acquired by new owners, all while strategizing for the future with new... Continue reading at AdWeek
[ AdWeek | 2018-10-15 00:00:00 UTC ]
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From the outside, it is easy to make the wrong assumption about Canadian publishing. Yes, there are two very different publishing scenes in Canada: French language and English language. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec is home to many world-renowned illustrators, including Isabelle Arsenault, Marianne Dubuc, Geneviève Godbout, the cover artist for this special report, and Elise Gravel. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Practical, useful nonfiction books that appeal to readers across the world: it sounds like a tall order, but Québec consistently delivers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Essay collections from Québec may most often be written in French, but they feature a distinctly North American perspective on history, literature, and politics. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec publishers and authors are confident looking abroad, searching less for reassurances and acknowledgment from the rest of the world than for new international outlets to share all they have to say. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Kim Thúy and Heather O’Neill both live in Montréal, though they have their differences. Thúy was among the boat people who emigrated from Vietnam after the fall of Saigon, while O’Neill has called the city home for most of her life. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec and its long, dark winters have much in common with the Scandinavian environment that has proven such a fertile ground for authors in the ever-popular Nordic noir genre. W Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Québec Édition is a committee within the Association nationale des éditeurs de livres (ANEL), a group that brings together French-language publishers from across Québec and the rest of Canada. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Thoughts turn quickly to bustling Montréal when literary types mention Québec literature. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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The YA scene in Québec today, says literary translator Arielle Aaronson, is grounded in strong characters and good old-fashioned storytelling. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-21 00:00:00 UTC ]
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Simon & Schuster is the trade publishing division of the CBS Corporation, and publishes and distributes consumer books under imprints incluing Simon & Schuster, Scribner, Atria, Touchstone, Gallery Books, Pocket Books, Howard Books, Threshold Editions, and Free Press. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-14 00:00:00 UTC ]
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Cengage Learning is a leading educational content, technology, and services company for the higher education and K–12, professional and library markets worldwide. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-14 00:00:00 UTC ]
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Springer Nature, one of the leading international research publishers, is home to trusted brands including Springer, Nature Research, BioMed Central, Palgrave Macmillan and 'Scientific American.' Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-09-14 00:00:00 UTC ]
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