BEA 2016: What Chicago Blues Once Were

In the late 1970s, at age 23, British college student Alan Harper traveled across the Atlantic to Chicago, where he had no job, no friends, and no family. Continue reading at 'Publishers Weekly'

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Jane Hamilton: Succession and Its Aftermath

After a rough patch of anxiety over the state of publishing, the reading public, and her own writing, Jane Hamilton has come up with a novel about heartland America that is being praised by a range of writers, including Karen Joy Fowler, Ann Patchett, and Tom Perrotta. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Kristina Riggle: A Novel of Note

Kristina Riggle was inspired to write "Vivian in Red" (Polis, Sept.), a multigenerational story with a family mystery, after her agent urged her to expand her horizons from the usual short time-line focus on a particular family or small town. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Quarto’s Four Decades of Enthusiasm, and Counting

Quarto Books, the company that took its name from having four founding partners, will be celebrating its four decades in publishing today at BEA with the appearance of its Bookmobile, QuartoKnows, at the show for the first time right in its booth (2300). Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Beth Macy: An Untold Story

Beth Macy, the author of the New York Times bestseller Factory Man, is known for writing about marginalized people and outsiders. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Colson Whitehead: The Underground Railroad As More Than Metaphor

Although Colson Whitehead says that he wrote The Underground Railroad (Doubleday, Sept.) “pretty quickly” last year, this novel has been 15 years in the making. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Discovering Italian Writers

Despite the popularity of bestselling Italian author Elena Ferrante, who was recently named one of Time magazine’s 100 most influential people, the flow of translations between the U.S. and Italy continues to be one-sided. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Catch the Buzz from YA Editors

A select handful of children’s book editors have arrived at BEA eager to spread word of forthcoming first novels for which they have have high expectations. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Jennifer Chiaverini: Booth and the Women Who Loved Him

The average person today thinks of John Wilkes Booth, the actor who shot President Lincoln in 1865, only as an assassin. But he was also a handsome actor with adoring fans, as well as a family man. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Thomas Mullen: When Black Cops Didn’t Matter

Thomas Mullen has been playing with genres for a long time. He has mixed historical fiction with magical realism, played with the spy novel, and is now mixing a police procedural with a fact-based piece of historical fiction. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
More news stories like this | News stories tagged with: #long time #magical realism #historical fiction


BEA 2016: Truth: They’re a Voracious Audience

News flash: a recent study by the Pew Research Center shows that African-American women represent the highest percentage of readers in the country. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Elizabeth Cobbs Talks About Hamilton’s Infidelities

What began as a quirky little musical at New York’s Public Theater has now blossomed into the most hyped show on Broadway. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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BEA 2016: Emily Fridlund: A Novel First

What began as a short story and an academic endeavor was easily transformed into the opening chapter of Emily Fridlund's first novel, "The History of Wolves," told from the point of view of a 14-year-old named Linda. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Brightness Falls in McCormick

It’s been a long time since Jay McInerney attended a BEA, “at least 10 years,” says the author, whose highly anticipated new novel, Bright, Precious Days (Knopf) will land in bookstores this August. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Karen Alpert: A Time Out for Mom

Karen Alpert has never taken motherhood too seriously. This is good for her many fans, who laugh hysterically and occasionally cry at her wry observations, deep understanding, and bad language about the joys and sorrows of being a mom. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: How Booksellers Can Create Better In-Store Events

Building relationships in one's local community is key to creating productive and profitable events, a panel of four veteran booksellers told an audience of 50 at BEA on Wednesday. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Grace Lin: Again Mining the Power of Folklore

As she did in her Newbery Honor Book, Where the Mountain Meets the Moon, and in Starry River of the Sky, Grace Lin tapped into Chinese folklore to shape her latest illustrated middle-grade fantasy, When the Sea Turned to Silver (Little, Brown, Oct.). Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Emma Flint: ‘Little Deaths,’ Big Buzz

Growing up in the north of England, Emma Flint was 10 years old when she wrote her first fiction, an Agatha Christie pastiche replete with a thickly mustached French detective. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Brit Bennett: A Coming-of-Age Debut

A young phenom in the making, Brit Bennett, 25, started writing "The Mothers" while still in high school in Oceanside, Calif., finishing it not long ago while a Zell Postgraduate Fellow at the University of Michigan, and polishing it as recently as two months ago. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Jennifer Weiner Takes a Big Step into Middle Grade

Jennifer Weiner is widely known to adult readers for her bestselling women-centric novels (Good in Bed; Who Do You Love), her columns for the New York Times Op-Ed pages and Sunday Review, and her humorous Twitter feed. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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BEA 2016: Emil Ferris: On Monsters and Music

BEA is one of Emil Ferris’s first stops in the launch of her graphic novel, "My Favorite Thing Is Monsters," (Fantagraphics, Oct.), a fiction that evokes myth, horror, psychedelia, and wonder through the illustrated notebook of Karen Reyes. Continue reading at Publishers Weekly

[ Publishers Weekly | 2016-05-11 00:00:00 UTC ]
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