While the giant firms sink huge sums into fleeting fads, the commitment and passion of the smaller imprints leave a larger impression in the long termIndependent publishers pick the books they loved and wished they published in 2015Here’s an observation: it sometimes feels as though smaller independents are the research and development departments for the big publishers, where literary fiction is concerned. We find great writers, nurture them, wipe their brows, polish their work and buff it until it shines. Then we send them out, readers love the books and they get shortlisted and win major literary prizes.Then the big money imprints swoop in; whisking them away to put them in a sparkly marketing jacket and present them in their new package to the world. A few recent examples: A Girl is a Half-Formed Thing by Eimear McBride, originally published by Galley Beggar – subsequently taken up by Faber and Faber. Swimming Home by Deborah Levy, published by And Other Stories – and now by Penguin.I have been told on numerous occasions: 'But you’re not a London publisher,' as if geography helps find cracking stories Related: The Loney by Andrew Michael Hurley review – a gothic masterpiece How many millions have been spent and will be lost on orange-headed celebrity books this Christmas? Related: Portico prize winner Benjamin Myers: 'Why bother chasing the big publishers?' Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2015-12-22 00:00:00 UTC ]
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This year, a Neon Hemlock Press novella won a Nebula. But what is this publisher, where did it come from, and what does it put out? Continue reading at Book Riot
[ Book Riot | 2022-06-21 10:36:00 UTC ]
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Two previously unseen short stories by Jackson, rated by Stephen King as one of the great horror fiction writers, are to appear in US magazine the StrandTwo previously unpublished short stories by Shirley Jackson, the queen of gothic fiction, have been released.Charlie Roberts and Only Stand and... Continue reading at The Guardian
[ The Guardian | 2022-06-09 14:05:30 UTC ]
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Microcosm Publishing, of Portland, Ore., makes its debut on our list of fast-growing independent publishers, landing with a bang at #1: net revenue spiked 106% in 2021 over 2020 and was up 207% over 2019. Continue reading at Publishers Weekly
[ Publishers Weekly | 2022-04-22 04:00:00 UTC ]
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Traditional publishing houses put out classics from around the world, but independent presses bring attention to new original talent. Continue reading at Book Riot
[ Book Riot | 2022-03-31 10:36:00 UTC ]
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Led by a 44.1% increase in sales of K-12 instructional materials and double-digit gains in the children’s/young adult and religious press segments, industry sales rose 3.7% in January, according to AAP’s StatShot program. Continue reading at Publishers Weekly
[ Publishers Weekly | 2022-03-11 05:00:00 UTC ]
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Swift Press has acquired Some Kids I Taught and What They Taught Me after its author and original publisher Picador ‘parted company’ last month following widespread criticism of the bookAn independent publisher, Swift Press, has acquired Kate Clanchy’s Some Kids I Taught and What They Taught Me,... Continue reading at The Guardian
[ The Guardian | 2022-02-01 10:50:18 UTC ]
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In "Small World," short chapters and sheer eventfulness keep the story chugging along. Continue reading at The Washington Post
[ The Washington Post | 2022-01-21 12:00:01 UTC ]
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In “A Little Hope,” Ethan Joella explores quiet lives in small-town Connecticut. Continue reading at The New York Times
[ The New York Times | 2021-11-16 10:00:03 UTC ]
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The Working Class Writers' Festival is urging publishers to demonstrate their commitment to diversity by investing in sponsorship for next year's event. Continue reading at The Bookseller
[ The Bookseller | 2021-11-10 12:00:51 UTC ]
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Publishers are settling into hybrid models of working this winter with many still reluctant to “mandate set days” while Faber has delayed a full return until April 2022. Continue reading at The Bookseller
[ The Bookseller | 2021-11-08 17:41:43 UTC ]
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In a lengthy opposition brief filed this week, lawyers for a potential consumer class portrayed their case as the second act of the Apple e-books case and insisted there is more than enough evidence for the case to proceed. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-11-02 04:00:00 UTC ]
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Pavilion Books has acquired Home, the first cookbook from chef Hasan Semay, better known on social media as Big Has. Continue reading at The Bookseller
[ The Bookseller | 2021-09-28 05:07:14 UTC ]
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The lawmakers seek a wide range of information not only on the publishers’ digital library practices, but also on the economics of the market. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-09-23 04:00:00 UTC ]
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Totting up the pros and cons of being an independent publisher, Richard Charkin assesses Mensch Publishing on its third anniversary. The post Richard Charkin: Notes From a Small Publisher in London appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2021-08-12 17:07:48 UTC ]
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Seven German book publishers—'competitors in real life,' says Klett-Cotta publisher Tom Kraushaar—look forward to the next gathering. The post German Independents: Klett-Cotta’s Tom Kraushaar and ‘Publisher Days’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2021-07-15 17:11:43 UTC ]
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Carbon offsetting is a viable solution for independent publishers wishing to improve their sustainability, Martin Klopstock, operations director at Kogan Page has told a London Book Fair seminar. Continue reading at The Bookseller
[ The Bookseller | 2021-06-21 20:21:54 UTC ]
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"We want to be recognised as one of the leading children’s book publishers in the industry: we want not only to be recognised, we want to be respected.” Sanjee de Silva (pictured), the new publisher at Sweet Cherry, recently named Small Press of the Year at the British Book Awards, has big... Continue reading at The Bookseller
[ The Bookseller | 2021-05-28 22:25:53 UTC ]
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First quarter financial reports from five major trade publishers showed the sales momentum that built up through 2020 has carried over into this year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-05-07 04:00:00 UTC ]
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The fledgling indie publisher organization, founded in 2016, has emerged from the crucible of the Covid-19 pandemic as an invaluable resource to small presses. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-04-30 00:00:00 UTC ]
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